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An award-winning history of the Mediterranean from prehistory to the Classical world reissued with an extended new preface by the author. For millennia, the Mediterranean has been one of the global cockpits of human endeavor. World- class interpretations exist of its classical and subsequent history, but there has been remarkably little holistic exploration of how its societies, culture, and economies first came into being, despite the fact that almost all the fundamental developments originated well before 500 BCE. The Making of the Middle Sea offers a full interpretive exploration into the rise of the Mediterranean world from its beginning, before the emergence of our own species, up to the threshold of classical times. Extensively illustrated and ranging across disciplines, subject matter, and chronology, from early humans and the origins of farming and metallurgy to the rise of civilizations—Egyptian, Levantine, Hispanic, Minoan, Mycenaean, Phoenician, Etruscan, early Greek—the book is a masterpiece of archaeological and historical writing. Now featuring a new preface exploring the most recent archaeological research on the Mediterranean world.
Addressing one of the most debated revolutions in the history of our species, the change from hunting and gathering to farming, this title takes a global view, and integrates an array of information from archaeology and many other disciplines, including anthropology, botany, climatology, genetics, linguistics, and zoology.
This is the first volume specifically dedicated to the consolidation and clarification of Heritage Studies as a distinct field with its own means of investigation. It presents the range of methods that can be used and illustrates their application through case studies from different parts of the world, including the UK and USA. The challenge that the collection makes explicit is that Heritage Studies must develop a stronger recognition of the scope and nature of its data and a concise yet explorative understanding of its analytical methods. The methods considered fall within three broad categories: textual/discourse analysis, methods for investigating people’s attitudes and behaviour; and ...
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museu...
This is the latest updated edition of the University of Cambridge's official statutes and Ordinances.
"Sets the new standard for excellence in this field." Antiquity"
These questions were posed by Paul Gauguin in a famous canvas painted in Tahiti that heralded the beginning of the modernist era. But they are also the questions asked by modern prehistorians in their quest to reconstruct the human story. In Figuring It Out, Colin Renfrew investigates the profound convergence between the two disciplines, drawing illuminating parallels between the way the modern artist seeks to understand the world by acting upon it, and the way the archaeologist seeks to understand the world through the material traces of such actions. What does the "sapient paradox" the fact that 30,000 years passed before anatomically modern humans began to change their world have to tell ...
A case study of the Greek Cyclades, documenting new ways of studying global island archaeology.
The dawn of art is sometimes equated with the birth of the human spirit. But when and how did figuration - sculpture, painting, drawing - actually begin? And did these first figurative creations coincide with the emergence of our own species, Homo sapiens ? Is figuration a general and fundamental feature of the human condition? In this challenging volume leading experts review the evidence now available from the worldwide practice of prehistoric archaeology, and go on to formulate some important conclusions. The scope of this work is global. It sets out to explore the first stirrings of artistic endeavour and of figurative imagery on each continent, and to consider the social context in which they arose. It will be a fundamental resource for all those seeking to understand the origins of art and the beginnings of human spirituality.
This is the latest updated edition of the University of Cambridge's official statutes and Ordinances.