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The Throes of Democracy
In the 1980s, Brazil emerged from two decades of military dictatorship and embarked on an experiment in full democracy for the first time in the nation's history Since then, Brazilians have sought to live up to the ideals of this experiment while negotiating dramatic economic and cultural transformations. In The Throes of Democracy Bryan McCann gives a panoramic view of this process, exploring the relationships between the rise of the political left, the escalation of urban violence, the agribusiness boom and the spread of pentecostal evangelization. Brazil remains a land marked by deep inequality, but in the last two decades the structure of that inequality has changed substantially. This is a country which remains an endlessly vital source of popular culture, now bubbling forth from different corners of the map. In explaining these transformations, this book provides a fascinating introduction to one of the 21st century's most significant countries.
The Mark of Criminality
Illustrates the ways that the “war on crime” became conjoined—aesthetically, politically, and rhetorically—with the emergence of gangsta rap as a lucrative and deeply controversial subgenre of hip-hop In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era’s worst racial stereotypes. Rather, he positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings ...
Southern Reporter
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Hello, Hello Brazil
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions. McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
From Sea-bathing to Beach-going
In From Sea-Bathing to Beach-Going B. J. Barickman explores how a narrow ocean beachfront neighborhood and the distinctive practice of beach-going invented by its residents in the early twentieth century came to symbolize a city and a nation. Nineteenth-century Cariocas (residents of Rio) ostensibly practiced sea-bathing for its therapeutic benefits, but the bathing platforms near the city center and the rocky bay shore of Flamengo also provided places to see and be seen. Sea-bathing gave way to beach-going and sun-tanning in the new beachfront neighborhood of Copacabana in the 1920s. This study reveals the social and cultural implications of this transformation and highlights the distinctive changes to urban living that took place in the Brazilian capital. Deeply informed by scholarship about race, class, and gender, as well as civilization and modernity, space, the body, and the role of the state in shaping urban development, this work provides a major contribution to the social and cultural history of Rio de Janeiro and to the history of leisure.
Can I Sit with You Too?
Can I Sit With You Too? is the second collection of stories from the Can I Sit With You? project. These new tales represent an even wider range of schoolyard experiences, including best friend disappointments, new kid fears, harsh discrimination, living with disabilities, and emerging sexuality. By sharing moments from kindergarten through high school, these stories once again remind us that we are not alone: chances are, if it happened to you, it happened to someone else, too. The Can I Sit With You? project has been featured on NPR, and in live shows and readings from Seattle's Annex Theatre to the San Francisco Bay Area's Book Passage. Proceeds from this book benefit SEPTAR, the Special Education PTA that Jennifer and Shannon helped found in 2007.
Understanding Contemporary Brazil
Brazil has famously been called a country of contradictions. It is a place where narratives of "racial democracy" exist in the face of stark inequalities, and where the natural environment is celebrated as a point of national pride, but at the same time is exploited at alarming rates. To people on the outside looking in, these contradictions seem hard to explain. Understanding Contemporary Brazil tackles these problems head-on, providing the perfect critical introduction to Brazil's ongoing social, political, economic, and cultural complexities. Key topics include: • National identity and political structure. • Economic development, environmental contexts, and social policy. • Urban is...
