You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Drawing on transnational literary studies, periodical studies translation studies, and comparative literary history 'Modernism and the New Spain' illuminates why Spain has remained a problematic space on the scholarly map of international modernisms.
The Fictional World of Javier Marías offers a fresh perspective on the narrative universe of one of Spain’s most distinguished contemporary authors. In order to establish the origin and meaning of uncertainty in his fiction, this book presents interpretations of a range of issues inherent to Marías’s canon, in particular those related to the nature of language. With the relationship between language and uncertainty at its heart, this study considers the use of foreign languages, translation, and the effect of silence through an analysis of: Todas las almas (1989), Corazón tan blanco (1992), Mañana en la batalla piensa en mí (1994) and Tu rostro mañana (2002-2007).
During her lifetime, Gloria Fuertes achieved the status of a controversial cultural icon, both through her poetry for adults and through her poetry, recorded readings, and television programs for juveniles. This collection of lively essays, by authors who specialize in contemporary Spanish poetry, approaches the works of Gloria Fuertes from various theoretical and critical perspectives. In Her Words speaks to the inherent complexity of Gloria Fuertes' poetry, as manifested in its ultimate indeterminacy and indecision, yet attests to this poet's abiding value as the voice of the marginalized-women, the poor, children, all the invisible members of society-who were silenced during the years of ...
Tracing heated exchanges between Spanish and Latin American intellectuals that took place in journals, magazines, and newspapers in the early twentieth century, Defining and Defying Borders details how borders and boundaries were contested within a medium that simultaneously crossed borders and defined boundaries. Vanessa Marie Fernández demonstrates that print media is an invaluable resource for scholars because it offers a nuanced perspective of the complex postcolonial relationship between Spain and Latin America that shaped aesthetic production within and beyond national boundaries. Presenting inclusive paradigms that are at once able to transcend borders, acknowledge national boundaries, and account for empire, Defining and Defying Borders illustrates that investigating journals, magazines, and newspapers is crucial to better understanding postcolonial literary and cultural production.
This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy. This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story - one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, au...
This book offers a critical reinterpretation of the Spanish avant-garde, focusing on narrative, transculturality, and intermediality. Narrative, because it prioritizes the analysis of prose over poetry, against the traditional use of critical literature on the subject up to this point. Transculturality, because the Spanish avant-garde simply cannot be understood without the acknowledgement of its multi-linguistic reality and the transnational scope of the experience of Modernism in Europe – of which Spain was an integral yet underexposed component. And intermediality, because the interrelations of painting, photography, film, and literature articulate a correlation and mutual affect among different media, creating a rich cultural tapestry that needs to be addressed. Contributors: Rosa Berland, Jennifer Duprey, Marcos Eymar, Regina Galasso, Eduardo Gregori, Juan Herrero-Senés, John McCulloch, Andrés Pérez-Simón, Lynn Purkey, Domingo Ródenas de Moya, Evelyn Scaramella and Antonio Sáez Delgado.
The Spanish Golden Age novelist Miguel de Cervantes has long cast a shadow over the writers who have followed in his wake. This book explores the great novelist's influence on contemporary Spanish writers. The links between the Golden Age tradition and contemporary writing are examined by leading academics in the field of the Spanish contemporary novel. The collection focuses on aspects of literary technique and metafiction, particularly the role of the narrator, the mixing of fictional and real characters, and self-reflection and literary criticism within the novel. These are all techniques that have recognisable Cervantine traits. Other parallels with Cervantes's writing are explored such as the portrayal of a hero with quixotic characteristics and the imitation of specific episodes from Cervantes's works.
A History of the Spanish Novel is the only volume in English that offers comprehensive coverage of the history of the Spanish novel, from the sixteenth century to the present day, with chapters written by some of the world-leading experts in the field.
The volume features the work of leading scholars from the US, UK, Germany, China, Spain, and Russia and presents an important contribution to current debates on world literature. The contributions discuss various facets of the historically changing role and status of language in the construction of notions of universality and locality, of difference, foreignness, and openness; they explore the relationship between world literature and bilingualism, supranational languages, dialects, and linguistic inbetweenness. They also examine the larger social and political stakes behind both foundational and more recent attempts to articulate ideas of world literature. Mapping the space between philology, anthropology, and ecohumanities, the essays in this volume approach world literature with sophisticated methodological toolkits and open up new opportunities for engaging with this important discursive framework.
This bilingual work identifies and explains the subversive rewriting of ancient, medieval and modern myths in contemporary novels. The book opens with two theoretical essays on the subject of subversive tendencies and myth reinvention in the contemporary novel. From there, it moves on to the analysis of essential texts. Firstly, classical myths in works by authors such as André Gide, Thomas Pynchon, Julio Cortázar, Italo Calvino or Christa Wolf (for instance, Theseus, Oedipus or Medea) are discussed. Then, myths of biblical origin – such as the Flood or the Golem – are revisited in the work of Giorgio Bassani, Julian Barnes and Cynthia Ozick. A further section is concerned with the pla...