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(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction
(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction: Doomsday Clock Narratives demonstrates that disaster fiction— nuclear holocaust and climate change alike— allows us to unearth and anatomise contemporary psychodynamics and enables us to identify pretraumatic stress as the common denominator of seemingly unrelated types of texts. These Doomsday Clock Narratives argue that earth’s demise is soon and certain. They are set after some catastrophe and depict people waiting for an even worse catastrophe to come. References to geology are particularly important— in descriptions of the landscape, the emphasis falls on waste and industrial bric- a- brac, which is seen through the ...
Grave New World
In this book Dr Dominika Oramus reads J.G. Ballard's fiction (and some of his non-fiction) as a record of the gradual internal degeneration of Western civilization in the second half of the twentieth century. In sundry ways and styles Ballard's ostensibly very heterogeneous oeuvre depicts the same intangible catastrophe that has happened to the world. Contemporary reality is thus presented in his late prose as "post-apocalyptic" though we are not literally living amidst the ruins, the golden age is far behind us and we are witnessing the twilight of the West. Oramus achieves two aims in this study. First, the revelation of the Grave New World, that imaginary territory Ballard describes in hi...
Charles Darwin's Looking Glass
The book offers comparative analysis of diverse Darwinism-inspired discourses such as post-modern novels, science fiction, popular science and nature films. Special attention is paid to Darwin's problem with human ancestry, Darwinism and the humanities, and the lives of Charles and Emma Darwin as contemporary myths.
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The Imagined Arctic in Speculative Fiction
The Imagined Arctic in Speculative Fiction explores the ways in which the Arctic is imagined and what function it is made to serve in a selection of speculative fictions: non-mimetic works that start from the implied question "What if?" Spanning slightly more than two centuries of speculative fiction, from the starting point in Mary Shelley’s 1818 Frankenstein to contemporary works that engage with the vast ramifications of anthropogenic climate change, analyses demonstrate how Arctic discourses are supported or subverted and how new Arctics are added to the textual tradition. To illuminate wider lines of inquiry informing the way the world is envisioned, humanity’s place and function in...
The Psychological Fictions of J.G. Ballard
J. G. Ballard self-professedly 'devoured' the work of Freud as a teenager, and entertained early thoughts of becoming a psychiatrist; he opened his novel-writing career with a manifesto declaring his wish to write a science fiction exploring not outer but 'inner space', and declaring the need for contemporary fiction to be viewed 'as a branch of neurology'. He also apparently welcomed a reader's report on Crash (1973) condemning him as 'beyond psychiatric help' as confirming his achievement of 'total artistic success'. Samuel Francis investigates Ballard's engagement with psychology and the psychological in his fiction, tracing the influence of key figures including Sigmund Freud, C.G. Jung and R.D. Laing and placing his work in the context of the wider fields of psychology and psychiatry. While the psychological preoccupations of his writing are very clear - including his use of concepts such as the unconscious, psychopathology, 'deviance', obsession, abnormal psychology and schizophrenia - this is the first book to offer a detailed analysis of this key conceptual and historical context for his fiction.
Decolonial Animal Ethics in Linda Hogan’s Poetry and Prose
Decolonial Animal Ethics in Linda Hogan’s Poetry and Prose is a plea for an urgent redefinition of human-animal relations on the basis of a nonanthropocentric animal ethic embraced by premodern Indigenous communities but depreciated by coloniality. Without decolonial revisions of animal subjectivity and personhood, the animal genocide can never truly stop. It is also a close reading of Linda Hogan’s poetry and prose in search of the coordinates of a decolonized animal ethic which would foster interspecies becoming. Having defined the recurring tropes, motifs, and attitudes that underpin Hogan’s treatment of nonhuman animals, the book moves on to trace the way she depicts the human-anim...
Desertscapes in the Global South and Beyond
Embracing a rich diversity of voices, this volume seeks to explore the different facets of Anthropocene naturecultures in the desert biomes of the Global South and beyond. Essays in this collection will articulate issues of desertification, indigeneity and re-inhabitation in narratives that thread together Tibet, China, Australia, India, South Mexico, South Africa and Brazil in all their richness and complexity. Re-imaging the desert figure’s rich biodiversity, this book presents new ways to envision the human relationships to natural ecology and mindful accountability, tracing complex narrative connections and challenging hegemonic norms of its role in the co-construction of identity, aff...
Reading Madeleine L’Engle
Using a critical lens derived from ecopsychology and its praxis, ecotherapy, this book explores the relationships Madeleine L’Engle develops for her characters in a selection of the novels from her three Time, Austin family, and O’Keefe family series as those relationships develop along a human-nonhuman kinship continuum. This is accomplished through an examination both of pairs of novels from the fantastic and the realistic series, and of single novels which stand out as slightly different from the most prominent genre in a given series. Thus, this examination also shows L’Engle’s fluid movement along a fantasy-reality continuum and demonstrates the integration of the three series with each other. Importantly, through examining these relationships and this movement along continuums in these novels, the project demonstrates how ecopsychology and ecotherapy provide strong and important – and as-yet virtually unexplored – intersections with children’s literature.
Circulation, Translation and Reception Across Borders
This volume offers a detailed analysis of selected cases in the reception, translation and artistic reinterpretation of Italo Calvino's Invisible Cities (1972) around the world. The book traces the many different ways in which Calvino's modern classic has been read, translated and adapted in Brazil, France, the Netherlands and Flanders, Mexico, Romania, Scandinavia, the USSR, China, Poland, Japan and Australia. It also offers analyses of the relation between Calvino's book and, respectively, the East and Africa, as well as reflections on the book's inspiration for, and resonance in, dance, architecture and art. The volume thus traces the diversity in the reception and circulation of Invisible Cities in different countries and continents, offering a much wider framework for the discussion of Calvino’s masterpiece than before, and a more detailed picture of its cultural and linguistic ramifications. This book will be of interest to scholars in Comparative Literature, World Literature, Translation Studies, Italian Studies, Romance Languages, European Studies, Dance, Architecture and Media Studies, as well as to scholars specialised in paratext and reception.
