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How do you love and not like the same thing at the same time? This was the riddle that met Mississippi writer B. Brian Foster when he returned to his home state to learn about Black culture and found himself hearing about the blues. One moment, Black Mississippians would say they knew and appreciated the blues. The next, they would say they didn't like it. For five years, Foster listened and asked: "How?" "Why not?" "Will it ever change?" This is the story of the answers to his questions. In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of Black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of Black life, a method that he calls listening for the backbeat.
The weekly source of African American political and entertainment news.
Fears and intimidation as Mom and Dad are propelled into generational doors of changing morality and a frightening new high-tech world. An episodic narrative of struggles, fears, and dreams of great expectations and humbling defeats, chapters of accidents and fortune's humors on the road traveled on a lifetime journey. But above all, a love story, a story about a beautiful Princess, my very own, the mother of three, a pillar of strength and deep-rooted integrity each moment of each hour of each day, the unerring guide of the family's odyssey.
Offers a broad introduction to critical psychology and explores the socio-political contexts of post-apartheid South Africa. This title expands on the theoretical resources usually referred to in the field of critical psychology by providing substantive discussions on Black Consciousness, Post-colonialism and Africanist forms of critique.
South Africa is a society that, sadly, has been divided against itself even at the best of times. Beginning with the initial advent of colonialism on the southern tip of the African continent, through to the later spawning of apartheid as well as in its nascent democracy, divisions have continually been manifest in varying form and content, along racial, ethnic, class, religious, language, political or other socio-economic and cultural lines. Unlike most societies, South Africa is a natural laboratory for psycho-social research yet it has been foreign researchers who have conducted most of the behavioural studies on the human condition in the country. South African psychologists seem to have...
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Nineteen Eighty Three's three intertwining storylines see the Quartet's central themes of corruption and the perversion of justice come to a head as BJ, the rent boy from Nineteen Seventy Four, the lawyer Big John Piggott - who's as near as you get to a hero in Peace's world - and Maurice Jobson, the senior cop whose career of corruption and brutality has set all this in motion, find themselves on a collision course that can only end in a terrible vengeance. Nineteen Eighty Three is an epic tale which concluded an extraordinary body of work confirming Peace as the most innovative and remarkable new British crime writer to have emerged for years.
It is widely believed that detainees held under security laws in South Africa are frequently subjected to torture, despite the state's claim to the contrary. A major purpose of the present book is to investigate to what extent a contention is true.
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