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The Embrace of Capital
The "spectre of communism" which Karl Marx confidently evoked in 1848 is now nothing more than a ghostly and ghastly nightmare, without form or substance. This is because working people have developed a love-hate relationship with capitalism. They hate insecurity, inequality, and greed, and love civic and political freedom. They love mass consumption, and accept the logic of commerce. Barreling along through wars, revolutions, epidemics, and crises of all sorts, working people in their millions have consistently dumfounded and dismayed the left, by their refusal to countenance any alternative to the capitalist mode of life. We have to ask: Is it possible to reverse this reality, and once again talk of the necessity of communism?
Don't Mess with the Logo
"Jon and Andy lay out a road-map for great brand management, packed with the essentials of brand theory and practical tips to make it happen. It does for brand management what the Haynes workshop manuals do for cars." Peter Gowers, Chief Executive, InterContinental Hotels Group, Asia-Pacific "Brands are about difference and personality. This book really is different. It makes you think and makes you smile!" Peter Fisk, The Genius Works "Branding isn't rocket science but it sometimes pretends to be. Here's abook without such pretensions, a book to make you smile, learning while you smile." John Simmons, Director, The Writer "an enjoyable read full of practical tips. There is far too much jarg...
Members of the Universal Class, Meet One of You
Members Of The Universal Class, Meet One Of You is based on a true story of a young man that was scarred very early in life, who set out to grasp the wonders of it. In the second grade, I was retained even though I had the grades to pass. Being a minority in a predominately white school, the administration told my mother, that based on my attitude, that I would be retained at some point in life and that the earlier, the better. I set out to have a universal understanding of all subjects. I came to the understanding that a chain is only as strong as its weakest link and tried to master all courses of the educational institutions in America. This base filtered into my social life. I wanted to ...
A Certain Risk
In his memoir, A Certain Risk, author Paul Richardson reminds you that the Creator designed you to engage the complexities of your world with creative solutions. Rather than offering a series of how-to steps, Richardson offers you a refreshing vision of what a Spirit-fueled life looks like - a vision that sees Christianity as a fluid, innovative...
Agriculture Decisions
Up to 1988, the December issue contains a cumulative list of decisions reported for the year, by act, docket numbers arranged in consecutive order, and cumulative subject-index, by act.
Gay Men and the Left in Post-war Britain
Available in paperback for the first time, his book demonstrates how the personal became political in post-war Britain, and argues that attention to gay activism can help us to fundamentally rethink the nature of post-war politics. While the Left were fighting among themselves and the reformists were struggling with the limits of law reform, gay men started organising for themselves, first individually within existing organisations and later rejecting formal political structures altogether. Culture, performance and identity took over from economics and class struggle, as gay men worked to change the world through the politics of sexuality. Throughout the post-war years, the new cult of the t...
After the Media
This provocative text considers the state of media and cultural studies today after the demolition of the traditional media paradigm, and engages with the new, active consumer culture. Media Studies, particularly within schools, has until recently been concerned with mass media and the effects of ‘the media’ in society and on people. As new media technology has blurred the boundaries between the audience and the media, the status of this area of education is threatened. Whilst some have called for a drastic re-think (Media Studies 2.0), others have called for caution, arguing that the power dynamics of ownership and gatekeeping are left intact. This book uses cultural and technological change as a context for a more forensic exploration of the traditional dependence on the idea of ‘the media’ as one homogenous unit. It suggests that it would be liberating for students, teachers and academics to depart from such a model and shift the focus to people and how they create culture in this contemporary ‘mediascape’.
