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The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set.To purchase the set please go to: http://www.routledge.com/9780415972932.
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
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Thomas is no ordinary man. To live, he must devour human flesh. His habitual existence is one of killing and feeding and taking on the physical characteristics of his victims. Thomas tries to fit in with the rest of humanity, but when his beautiful neighbor, Stephanie deceives him and turns out to be a monster just like him, he decides to discover his heritage and take revenge. Little does he know that there are many other “Fleshers” out there hiding in the shadows of the world and they are at war with each other.
Karen Montgomery was an ordinary woman until she stumbled into the extraordinary... A bargain with elves worth its weight in gold. A plague of sinister ladybugs. Rogue vampire hunters, including one who tries to turn over a new leaf--with disastrous consequences. A ghostly huntsman of the Wild Hunt wishing for redemption. Karen's life will never be the same again. One wrong turn sends Karen down a road that shouldn't exist, to the site of an old accident and an even older mystery. With reformed vampire hunter Russell Moore's help, Karen finds the key to the mystery. But Russ keeps his own secrets...some of which are deadly. When old friends from Russ' past come to call, Karen realizes his secrets might just mean his doom. After a terrible incident three years ago, before Karen met him, Russ wants only to live the rest of his life quietly in Beth-Hill. But his secret might not allow him the new lease on life Russ longs for.
Angel and her brother Caleb moved from Maine to attend George Washington University, where Angel was expected to be a star soccer player. Angel hoped to leave her past behind. Upon arrival, she met Michelle, a spunky pre-law student who grew up in Ireland, and her twin sister Shawna from Louisiana. Angel and Michelle became best friends. Michelle's rich father provided a house for his daughters, and they invited Angel and Caleb to live with them. Angel soon realized she can run away from home, but she can't run away from her dreadful past. Angel is fighting for her life, and her only hope is her newfound friend, but will that friendship be strong enough to overcome the evil that's after Angel?
The pioneering and hugely influential work of Mikhail Bakhtin has led scholars in recent decades to see all discourse and social life as inherently "dialogical." No speaker speaks alone, because our words are always partly shaped by our interactions with others, past and future. Moreover, we never fashion ourselves entirely by ourselves, but always do so in concert with others. Bakhtin thus decisively reshaped modern understandings of language and subjectivity. And yet, the contributors to this volume argue that something is potentially overlooked with too close a focus on dialogism: many speakers, especially in charged political and religious contexts, work energetically at crafting monologues, single-voiced statements to which the only expected response is agreement or faithful replication. Drawing on ethnographic case studies from the United States, Iran, Cuba, Indonesia, Algeria, and Papua New Guinea, the authors argue that a focus on "the monologic imagination" gives us new insights into languages' political design and religious force, and deepens our understandings of the necessary interplay between monological and dialogical tendencies.
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
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