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"In March of 1909, Mark Twain cheerfully blessed the wedding of his private secretary, Isabel V. Lyon, and his business manager, Ralph Ashcroft. One month later, he fired both, wrote a ferocious 429-page rant about the pair, and then --with his daughter, Clara Clemens--slandered Isabel in the newspapers, erasing her nearly seven years of devoted service to their family."--Page 4 of cover
Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.
Reprint of the original, first published in 1875.
Anthology of poems, short stories, and jokes by various authors including Mark Twain. Compiled by Mark Twain.
This coming-of-age story captures a vanished world of outdoor action and introduces Mark Twain’s two most enduring literary characters, Tom Sawyer and Huckleberry Finn. In a novel that Twain termed a “hymn to boyhood,” Tom and Huck fish and swim in the Mississippi River, search for buried treasure, and hide in a haunted house. Tom Sawyer falls for pretty Becky Thatcher, tricks his pals into painting a fence for him, and stages an elaborate prank on the schoolmaster. Around the edges of this idyllic boy-life, however, loom dangerous events in the fictional village of St. Petersburg: Tom and Huck witness a midnight murder in a graveyard, the killer escapes from the courtroom while Tom is testifying, Tom and Becky become lost in a labyrinthine cave, and two sinister villains plot robbery and revenge against a wealthy widow. This Original Text Edition faithfully follows the wording of the first edition, and the editor supplies a historical and literary introduction as well as a guide to Twain’s satirical targets
The Gilded Age: a Tale of Today is a depiction of those crimes committed in the United States in the late 19th Century which so frequently went unpunished and of the casualties which ought to be called crimes. The description severely winds up with the satirical verdict “No one to blame.” The project of Colonel Sellers for raising mules for the Southern markets is a satire upon the fraudulency and soap-bubble speculation of capitalists. The work is full of hints and descriptions that take their rise from the frauds and outrages under which the country had plagued for so many years. Family, social and national questions are all cleverly satirized. The monument erected to the memory of the...
In a radical departure from standard editions, Mark Twain’s most famous novel is published here with one disturbing racial label translated as “slave.” In seeking to record accurately the speech of uneducated boys and adults along the Mississippi River in the 1840s, Twain casually included an epithet that is diminishing the potential audience for his masterpiece. While dozens of other editions preserve the inflammatory slur that the author employed for the sake of realism, the NewSouth Edition proves that the main point of Twain’s masterpiece—the immense harm deriving from inhumane social conformity—comes through just as vibrantly without obliging readers to confront hundreds of insulting racial pejoratives. The editor’s Introduction supplies the historical and literary context for Twain’s groundbreaking book, along with a helpful guide to his satirical targets.
In a radical departure from standard editions, the coming-of-age story that introduces Mark Twain’s two most enduring literary characters—Tom Sawyer and Huckleberry Finn—is published here with its disturbing racial labels translated as “slave” and “Indian.” Everything else is completely intact in a novel that Twain termed a “hymn to boyhood.” Tom and Huck fish and swim in the Mississippi River, search for buried treasure, and hide in a haunted house. Around the edges of this idyllic boy-life, however, loom dangerous events in the fictional village of St. Petersburg: Tom and Huck witness a midnight murder in a graveyard, the killer escapes from the courtroom while Tom is testifying, and two sinister villains plot robbery and revenge against a wealthy widow. Readers can follow the boys’ adventures without confronting the dozens of racial slurs that are available in other editions of the book. The editor supplies a historical and literary introduction as well as a guide to Twain’s satirical targets.