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Former poet laureate of the United States Donald Hall’s final collection of essays, from the vantage point of very old age, once again “alternately lyrical and laugh-out-loud funny.”* *(New York Times) “Why should a nonagenarian hold anything back?” Donald Hall answers his own question in these self-knowing, fierce, and funny essays on aging, the pleasures of solitude, and the sometimes astonishing freedoms arising from both. Nearing ninety at the time of writing, he intersperses memories of exuberant days in his youth, with uncensored tales of literary friendships spanning decades—with James Wright, Richard Wilbur, Seamus Heaney, and other luminaries. Cementing his place alongside Roger Angell and Joan Didion as a generous and profound chronicler of loss, this final work is as original and searing as anything Hall wrote during his extraordinary literary lifetime.
First published in 1971 in Chile, where the entire third printing was dumped into the ocean by the Chilean Navy and bonfires were held to destroy earlier editions, How to Read Donald Duck reveals the capitalist ideology at work in our most beloved cartoons. Focusing on the hapless mice and ducks of Disney--curiously parentless, marginalized, always short of cash--Ariel Dorfman and Armand Mattelart dissect the narratives of dependency and social aspiration that define the Disney corpus. Disney recognized the challenge, and when the book was translated and imported into the U.S. in 1975, managed to have all 4,000 copies impounded. Ultimately, 1,500 copies of the book were allowed into the country, the rest of the shipment was blocked, and until now no American publisher has dared re-release the book, which sold over a million copies worldwide and has been translated into seventeen languages. A devastating indictment of a media giant, a document of twentieth-century political upheaval, and a reminder of the dark undercurrent of pop culture, How to Read Donald Duck is once again available, together with a new introduction by Ariel Dorfman.
In Westlake's brilliantly bizarre and always amusing world, it's usually the thief who comes out on top. But times could be changing. When a TV producer convinces our roguish crook Dortmunder and his gang to star in a reality TV show that captures their next heist, being caught red-handed seems inevitable. It will take an ingenious plan to outwit viewers glued to their TV sets, but Dortmunder rises to the challenge. In this last crime novel from an undisputed master of the genre the well worn phrase 'The eyes of the nation are upon you' takes on a whole new meaning - let's hope Dortmunder doesn't get stage-fright.
A hapless thief is drafted by a gang of nuns in need, in a novel by an Edgar Award winner who “has no peer in the realm of comic mystery novelists” (San Francisco Chronicle). It was supposed to be a simple caviar heist. Dortmunder is almost in the building when the alarm sounds, forcing him up the fire escape and onto the roof. He leaps onto the next building, smashing his ankle and landing in the den of the worst kind of creature he can imagine: nuns. Although decades removed from his Catholic orphanage, Dortmunder still trembles before the sisters’ habits. But these nuns are kinder than the ones he grew up with. They bandage his wound, let him rest, and don’t call the cops—for a price. The father of the youngest member of their order, disgusted by their vow of silence, has kidnapped his daughter, locked her in a tightly guarded penthouse apartment, and is attempting to convince her to renounce her faith. The nuns ask Dortmunder to rescue the girl. It’s an impossible assignment—but one he cannot refuse.
THE CRIME WAS OVER IN A MINUTE – THE CONSQUENCES LASTED A LIFETIME Hospitalized after a liaison with another man’s wife ends in violence, Paul Cole has just one goal: to rebuild his shattered life. But with his memory damaged, the police hounding him, and no way even to get home, Paul’s facing steep odds – and a bleak fate if he fails… This final, never-before-published novel by three-time Edgar Award winner Donald E. Westlake is a noir masterpiece, a dark and painful portrait of a man’s struggle against merciless forces that threaten to strip him of his very identity.
Reading Sexualities shows how our sexual desires and bases for identification are being challenged and changed, and argues that by approaching the reading of sexualities responsibly, we become active participants in the political, empowering process of reading the self through the perspective of the other.
"Collection of published and unpublished gems: a memoir about learning to write, an imaginary interview between Westlake's various identities, essays on writing, introductions, and letters to writers like Stephen King and Brian Garfield. A true miscellany, this includes a piece by Abigail Westlake, a recipe for "May's Famous Tuna Casserole" and a 'Midnight snack'."--From the publisher.
"I'm a robber, not a grave robber," John Dortmunder says. So why is he knee-deep in dirt in a Long Island cemetery? It all started when Andy Kelp went into cyberspace and surfed his way into the clutches of master manipulator Fitzroy Guilderpost, who, working with a Las Vegas showgirl named Little Feather Redcorn, had the perfect idea for the perfect crime. For Dortmunder and his gang, the first step is to steal a dead Indian from his grave. The next step is to figure out just where Guilderpost is going with this plan, and what's really in it for them. After that, it's every crook for himself, as John Dortmunder and his cutting-edge crew of criminals give new meaning to the term "repeat offender"and find themselves whistling through a graveyard of their own....
One of America's best-loved authors returns with a delightfully chilling new stand-alone in the vein of his bestsellers The Ax and The Hook. Josh Redmont was 27 when the first check arrived, and he had absolutely no idea what it was for. Issued by "United States Agent" through an unnamed bank with an indeterminate address in D.C., someone seemed to think Josh was owed $1,000. One month later, another check arrived, and then another, and another...and Josh cashed them all. Month after month, year after year, never a peep from the IRS, never an explanation for all this seemingly found money; the checks even followed Josh from one address to another as he moved through life. Now, after a full seven years, we find him on his way to meet the wife and kids for a summer vacation. Puzzled by the approach of a smiling stranger, Josh's stomach seizes with dread when the unwanted greeting begins with, "I am from United States Agent." Dumbstruck, Josh attempts to feign ignorance until he hears the words, "You are now active."