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The Academy of the Sword
"The Academy of the Sword centers on an assemblage of rare illustrated books devoted to the subject of fencing and dueling, drawn (with one exception) from the library of the Arms and Armor Department of The Metropolitan Museum of Art ... Accompanying the books and giving vivid impact to their illustrations are a selection of swords, rapiers, parrying daggers, bucklers, and other accoutrements, which follow the chronology of, and changes in, fighting styles depicted in the books"--Introduction, page 3
Warriors of the Himalayas
The first in-depth examination of the fascinating and virtually unknown of armor and weapons from Tibet, dating from the 13th to the 20th century.
How to Read European Armor
Many of us have long been captivated by images of knights in shining armor evoking the age of chivalry and the ideals of Camelot. In this richly illustrated volume, the beauty and complexity of the actual armor worn by European knights and soldiers comes brilliantly to the fore. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} How to Read European Armor presents a compelling overview of armor in Europe from the Middle Ages through the seventeenth century, the period when armor as an art form achieved its highest levels of stylistic beauty and functional perfection. During that time, skilled armorers developed ingenious solutions for protecting the body with armor that was effecti...
The Renaissance of Etching
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Arms and Armor
A celebration of more than a decade of collecting by the Metropolitan Museum's Department of Arms and Armour since the reinstallation of its permanent galleries in 1991. Fifty-eight of the most important recent acquisitions are featured in this volume.
The Academy of the Sword
The most detailed and comprehensive treatise on swordsmanship ever written, Gerard Thibault's Academy of the Sword offers an extraordinary glimpse into a forgotten landscape of ideas, in which Pythagorean sacred geometry illuminated the lethal realities of rapier combat to create one of the Western world's only thoroughly documented esoteric martial arts. Translated by the widely respected occultist and scholar John Michael Greer, this stunningly illustrated and precisely detailed manual of Renaissance swordsmanship is a triumphant document of Renaissance culture-as well as a practical manual of a martial art that can still be studied and practiced today.
Islamic and Oriental Arms and Armour
The book illustrates over 1,000 items of Islamic and Oriental arms and armour which represent the finest and most interesting examples originating from Islamic and Hindu cultures and beyond, including Russia, China, Tibet, Mongolia, Korea and South East Asia. All the items illustrated have passed through the hands of Robert Hales during the last 45 years. Divided into four sections: daggers, swords, firearms, and armour, with the occasional transgression, the publication also includes a useful glossary of terms. The text is concise and descriptive as well as containing information that is being published for the first time.
World War I and the Visual Arts
Published on the occasion of the centenary of World War I, this Bulletin, which accompanies the related exhibition “World War I and the Visual Arts,” on view at The Met until January 7, 2018, explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Arms and Armour of India, Nepal and Sri Lanka
- An introduction and overview to the arms and armor of the Indian region- The book is designed for easy use with pull out details from objects and timelines, maps and explanations of design detailsArms & Armour Of India, Nepal & Sri Lanka is a very visually-driven and broad-based introduction to the unique world of arms and armor of the Indian region, encompassing India, Pakistan, Nepal, and Sri Lanka, areas with strong martial traditions. It provides an overview of types of arms and armor, with extensive geographical and historical context with many illustrated maps, their decoration and methods of adornment, as well as the iconographic and religious symbology. A unique and valuable featur...
Extreme Beauty
Published to accompany the exhibition held at the Metropolitan Museum of Art, New York, 6 December 2001 - 3 March 2002.
