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This book is an outgrowth of classes given at the University of California, Santa Barbara, mainly for students who had little mathematical background. Many of the students indicated they never understood what mathematics was all about (beyond what they learned in algebra and geometry). Was there any more math-ematics to be discovered or created? How could one actually discover or create new mathematics? In order to give these students some sort of answers to such questions, we designed a course in which the students could actually participate in the discovery of mathematics.
This is the first truly comprehensive and thorough history of the development of a mathematical community in the United States and Canada. This second volume starts at the turn of the twentieth century with a mathematical community that is firmly established and traces its growth over the next forty years, at the end of which the American mathematical community is pre-eminent in the world. In the preface to the first volume of this work Zitarelli reveals his animating philosophy, I find that the human factor lends life and vitality to any subject. History of mathematics, in the Zitarelli conception, is not just a collection of abstract ideas and their development. It is a community of pe...
This groundbreaking collaboration between an anthropologist and a mathematician constitutes both a collection of symmetrical pattern designs from many cultures and a monograph on pattern design and the classification of symmetrical patterns. Intended for art historians, anthropologists, classical archaeologists, and others interested in the study of material culture, it can also serve as a reference and inspiration for the use of symmetrical patterns in art and design. "This richly illustrated study brings to light dozens of intriguing examples of symmetrical designs, for instance, in a Zulu loincloth, a Japanese chopstick case, a New England quilt, a Tibetan 'Plaque of a Thousand Lamas,' a ...
John Jacob Hunker (1807-1886), son of Martin Hunker, married Catherine Smith in 1835, and in 1853 the family emigrated from Germany to Tiffin, Seneca County, Ohio. Catherine died in 1854, and John Jacob married widow Mary Elizabeth (Laoller) Schantz in 1855. Descendants and relatives lived in Ohio, Pennsylvania, Michigan, Nebraska, Montana, Wyoming, Colorado and elsewhere.
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Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the “isms” of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated.