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The Eclipse of Classical Thought in China and The West
For centuries, the starting points for serious thought about ethics, justice, and government were traditions founded, in China by Confucius, and in the West by his near contemporary Socrates. In both classical traditions, norms were based on human nature; to contravene these norms was to deny part of one's humanity. The Chinese and Western philosophical traditions have often been regarded as mutually unintelligible. This book shows that the differences can only be understood by examining where they converge. It describes the role of these traditions in two political achievements: the formation of the constitutions of Song dynasty China and the American Republic. Both traditions went into eclipse for similar reasons but with quite different consequences: in China, the growth of absolutism, and in the West, the inability of modern political and ethical thought to defend the most fundamental values.
Heat and Mass Transfer in Energy Systems
In recent years, the interest of the scientific community towards efficient energy systems has significantly increased. One of the reasons is certainly related to the change in the temperature of the planet, which has increased by 0.76 °C with respect to preindustrial levels, according to the Intergovernmental Panel on Climate Change (IPCC), and is still increasing. The European Union considers it vital to prevent global warming from exceeding 2 °C with respect to pre-industrial levels, as it has been proven that this will result in irreversible and potentially catastrophic changes. These changes in climate are mainly caused by greenhouse gas emissions related to human activities, and can ...
Decisions and Orders of the National Labor Relations Board
Decisions and Orders of the National Labor Relations Board, Volume 359, September 28, 2012, Through July 16, 2013
Sword Immortal is also charming
The foundation of cultivating immortals is the same as every stage of reaching the immortal level, which is divided into early stage, middle stage and late stage
Imperial China, 900-1800
In this history of China for the 900-year span of the late imperial period, Mote highlights the personal characteristics of the rulers and dynasties and probes the cultural theme of Chinese adaptations to recurrent alien rule. Generational events, personalities, and the spirit of the age combine to yield a comprehensive history of the civilization.
Yin and Yang corona
The new book "Mian of Yin and Yang" can be said to be the longest preparation work of Xiao San. Before Douro started writing, this book "Mian of Yin and Yang" had been conceived with Douro. Just because the setting of Douro was made first, Douro was created first. At that time, Yin Yang Mian completed the outline first, and was temporarily named Dionysus. In the year of creating Douluo, Xiao San kept collecting all kinds of materials for Yin and Yang Corona, perfecting his outline and setting.
History of Thoughts in the Ming Dynasty
The book is the volume of “History of Thoughts in the Ming Dynasty” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Sha...
Dimensions of Originality
This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi", literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.
