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Eros and Oneness / Tamara H. Schenkenberg -- Elective Affinities: Hannah Wilke's Ceramics in Context / Glenn Adamson -- Needed Erase Her? Don't. / Connie Butler -- Daughter/Mother / Catherine Opie -- Ha-Ha-Hannah / Jeanine Oleson -- Cycling Through Gestures to Strike a Pose / Nadia Myre -- Play and Care / Hayv Kahraman -- Cindy Nemser and Hannah Wilke in Conversation, 1975.
A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 arti...
“After twenty-eight years of desire and determination, I have visited Africa, the land of my forefathers.” So wrote Lida Clanton Broner (1895–1982), an African American housekeeper and hairstylist from Newark, New Jersey, upon her return from an extraordinary nine-month journey to South Africa in 1938. This epic trip was motivated not only by Broner’s sense of ancestral heritage, but also a grassroots resolve to connect the socio-political concerns of African Americans with those of black South Africans under the segregationist policies of the time. During her travels, this woman of modest means circulated among South Africa’s Black intellectual elite, including many leaders of Sou...
Alex Harris beautifully captures many archetypes of today's Cuba, and Lillian Guerra's essay discusses what it means to be Cuban.
La exposición refleja la historia del Black Mountain College (BMC), fundado en 1933 en Carolina del Norte y concebido como universidad experimental que situaba al arte en el centro de una educación liberal que pretendía educar mejor a los ciudadanos para participar en la sociedad democrática. La educación era interdisciplinaria y concedía gran importancia al debate, la investigación y la experimentación, dedicando la misma atención a las artes visuales –pintura, escultura, dibujo- que a las llamadas artes aplicadas –tejidos, cerámica, orfebrería, así como a la arquitectura, la poesía, la música y la danza.
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James Piazza is a Western New York-based archivist and music historian. He developed a series of multimedia presentations on experimental music, ambient sound, archival techniques for digital audio, and lectures on personal media servers for large file libraries. His primary goal is to create a greater public understanding and awareness of 20th century music and sound. Piazza founded Innerspace Labs as an independent music archive chiefly communicating with the public via The Innerspace Connection music blog. He manages a library of over 300,000 soundworks focusing on ambient and experimental recordings. This book comprises the first 12 years of our publications showcasing highlights of the Archive, as well as select previously unpublished works.
Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.
Art in the Age of the Internet, 1989 to Today is the first major thematic group exhibition in the United States to examine the radical impact of internet culture on visual art. Featuring 60 artists, collaborations, and collectives, the exhibition is comprised of over 70 works across a variety of mediums, including painting, performance, photography, sculpture, video, web-based projects, and virtual reality. The exhibition is divided into five sections that explore themes such as emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; the possibilities for exploring identity...
An exploration of fashion designer Gaby Aghion's life, career, and legacy at the French fashion house Chloé As imagined by the company's founder, Gaby Aghion (1921-2014), the sophisticated, romantic, and glamorous designs of Chloé have captured the energy and aspirations of generations of women since Aghion designed her first collection in 1952. This sumptuously illustrated book centers Chloé and Aghion within the cultural arena and crystallizes a major transition in the postwar Parisian fashion industry, from haute couture to prêt-à-porter. Aghion defined Chloé as a brand of luxury ready-to-wear clothing combining high-end materials and savoir faire with light shapes for active women....