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Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl’s work through a thorough re-examination of his writing in the context of literary theory, classical rhetori...
From Rosemary's Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order. Churches provide sanctuary, clergy cast out evil, religious icons become weapons, holy ground becomes battleground--but all of these may be turned from their original purpose. This collection of new essays explores fifty years of genre horror in which manifestations of the sacred or profane play a material role. The contributors explore portrayals of the war between good and evil and their archetypes in such classics as The Omen (1976), The Exorcist (1973) and Dracula Has Risen from the Grave (1968), as well as in popular franchises like Hellraiser and Hellboy and cult films such as God Told Me To (1976), Thirst (2009) and Frailty (2001).
Digital spaces are saturated with metaphor: we have pages, sites, mice, and windows. Yet, in the world of digital textuality, these metaphors no longer function as we might expect. Martin Paul Eve calls attention to the digital-textual metaphors that condition our experience of digital space, and traces their history as they interact with physical cultures. Eve posits that digital-textual metaphors move through three life phases. Initially they are descriptive. Then they encounter a moment of fracture or rupture. Finally, they go on to have a prescriptive life of their own that conditions future possibilities for our text environments—even when the metaphors have become untethered from the...
This book provides a critical assessment of Benjamin’s writings on Franz Kafka and of Benjamin’s related writings. Eliciting from Benjamin’s writings a conception of philosophy that is political in its dissociation from – its becoming renegade in relation to, its philosophic shame about – established laws, norms, and forms, the book compares Benjamin’s writings with relevant works by Agamben, Heidegger, Levinas, and others. In relating Benjamin’s writings on Kafka to Benjamin’s writings on politics, the study delineates a philosophic impetus in literature and argues that this impetus has potential political consequences. Finally, the book is critical of Benjamin’s messianism insofar as it is oriented by the anticipated elimination of exceptions and distractions. Exceptions and distractions are, the book argues, precisely what literature, like other arts, brings to the fore. Hence the philosophic, and the political, importance of literature.
Gloria Schaab proposes to respond to cosmic suffering with the recognition that the triune Christian God participates in the sufferings of the cosmos.
The author argues that there are conflicting traditions with regard to the question of what is the moral standing of animals according to Christianity. The dominant tradition maintains that animals are primarily resources but there are alternative strands of Christian thought that challenge this view.
In 2016, the Israeli Supreme Court ruled that Max Brod’s posthumous papers which included a collection of Kafka’s manuscripts be transferred to the National Library of Israel in Jerusalem. If Kafka’s writings may be seen to belong to Jewish national culture and if they may be considered part of Israel’s heritage, then their analysis within a Jewish framework should be both viable and valuable. This volume is dedicated to the research of Franz Kafka’s late narrative “The Burrow” and its autobiographical and theological significance. Research is extended to incorporate many fields of study (architecture, sound studies, philosophy, cultural studies, Jewish studies, literary studie...
A major critical reassessment of the fable and of the literary representation of the human-animal relationship after Darwin.
This essential collection of essays explores issues relating to Genetically Modified Foods, with an emphasis on exploring world attitudes, rather than American-centric. This allows readers to understand an issue with a universal sensitivity. Essays sources provide viewpoints from Switzerland, India, Asia, South America, European Union, Australia, Philippines, Africa, Nigeria, America, and the United Kingdom. Readers will evaluate attitudes toward genetically modified food around the world. They will look at the impact of genetically modified crops on agriculture and health. Regulation issues are also presented.
Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogu...