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Between the Lines: My Story Uncut
The ultimate Eighties heart-throb Jason Donovan came close to destroying his body, mind, soul and career with drugs. Never one to shy away from the truth, Jason writes candidly about Kylie and winning the battle with his demons in the paperback of his bestselling bombshell autobiography. Jason Donovan burst onto our TVs in the 80s as Scott Robinson from Neighbours, one half of TV couple Scott and Charlene with Kylie Minogue. Kylie and Jason became the celebrity couple of the eighties and released the number one Stock, Aitken and Waterman hit Especially For You in 1988. But behind the squeaky-clean popstar image was a man increasingly addicted to recreational drugs and on a spiralling downwar...
Jason Donovan
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The Willings
Sam Elfwing is living in what used to be Willings Park, Named after Cap Willings, who defeated an invading army single-handedly. (with the help of elves of course!) The park is now a swamp, but that ́s the least of the troubles and Sam has to remember he ́s a wizard before anything else goes wrong!
Strangers on a Bridge
"The subject of the major motion picture Bridge of Spies"--Cover.
You Must Be This Happy to Enter
“Crane seems to be carving out a younger, brassier, less dystopic territory to complement the fiction of George Saunders and David Foster Wallace.” —The Quarterly Conversation In her third short story collection, following When the Messenger is Hot and All This Heavenly Glory, Elizabeth Crane presents a quirky cast of characters all searching for, showing off, or seriously questioning what makes them happy. There’s a woman who speaks in all exclamation points, one enamored by her boyfriend’s closet, a zombie reality TV star, a mother whose baby turns into Ethan Hawke, and a woman whose moods are printed on her forehead. Whether breathlessly enthusiastic, serenely calm, or really co...
Between the Lines
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The Rocky Horror Show
Rock Musical Characters: 7 males, 3 females Scenery: Interior That sweet transvestite and his motley crew did the time warp on Broadway in a 25th anniversary revival. Complete with sass from the audience, cascading toilet paper and an array of other audience participation props, this deliberately kitschy rock 'n' roll sci fi gothic is more fun than ever. "A socko wacko weirdo rock concert."-WNBC TV. "A musical that deals with mutating identity and time warps becomes one of the most mutated, time warped phenomena in show business."-N.Y. Times. "Campy trash."-Time.
The Sea Archer
Raven Hunter, a musical prodigy, flees to the Hawaiian Islands to pick up the pieces after her marriage to her manager collapses. Instead, she experiences extraordinary and unsettling events that are beyond her understanding. Living in paradise, marine biologist, Finn Taylor has the unconscious but effortless ability to understand the needs of the animals he cares for. His playboy lifestyle is most men's fantasy. That is, until the night he meets the shy and elusive new island resident. Suddenly his life no longer feels like his own. The attraction is undeniable. However, vastly contrasting lives, peculiar dreams, and an unbelievable proclamation that they could be the direct descendants of Poseidon and Apollo threaten to divide them forever. Will they accept their destiny and begin the quest of a lifetime or will they remain in their comfortable yet separate existence?
The Musical
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
