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Outposts
Serving alongside infantry and artillery, military engineers designed a network of outposts throughout Kandahar Province. Built on natural promontories with multiple lines of sight, they formed a protective visual architecture. These images are the latest phase in Wylie's interrogation of the architecture of modern conflict.
North Warning System
Volume 1. The British army used a system of high-tech watchtowers to survey the territories of Northern Ireland, and to observe the actions of the local people unter their occupation. These towers, constructed in the mid 1980s, primarily in the mountainous border region of South Armagh, were landmarks in a thirty year conflict euphemistically called "the Troubles". The Towers were demolished between 2000 and 2007 as part of the British government "Demilitarization" program for Northern Ireland. Prior to their demolition Donovan Wylie photographed the Towers, working at an elevated height made possible by military helicopter. -- Dust jacket.
Donovan Wylie
This is the latest of Donovan Wylie's books with Steidl that explore the architecture of the Northern Ireland confl ict. While Wylie's earlier publications including British Watchtowers and Maze (on Belfast's Maze prison) document disappearing military structures, Housing Plans for the Future focuses on the legacy of architectural contain- ment in urban areas today. Wylie took these photos during walks through a number of social- housing neighborhoods in inner-city Belfast, which look eerily similar. While the built environments at fi rst appear benign, even mundane, sustained looking reveals how they purposely control vision and movement. Walls block vehicle access, houses are inverted to face away from neighboring communities and minimize potential antago- nism, and excessive street lighting ensures visibility in what Wylie calls "a prison of sorts ... a completely thought-through system of social control." These defensive structures, built in the 1970s and '80s and still populated today, are a powerful and largely unrecognized legacy of the Northern Ireland confl ict.
The Dispossessed
None
British Watchtowers
The British army used a system of high-tech watchtowers to survey the territories of Northern Ireland, and to observe the actions of the local people unter their occupation. These towers, constructed in the mid 1980s, primarily in the mountainous border region of South Armagh, were landmarks in a thirty year conflict euphemistically called "the Troubles". The Towers were demolished between 2000 and 2007 as part of the British government "Demilitarization" program for Northern Ireland. Prior to their demolition Donovan Wylie photographed the Towers, working at an elevated height made possible by military helicopter.--Dust jacket.
Magnum Ireland
Available for the first time in an updated, compact paperback format, this book offers a stunning photographic survey of Ireland over the last seven decades, from the 1950s to the present day. Organized decade by decade, the images show the lingering influence of rural life in the 1950s; the hidden story of ordinary Irish men and women, living in a divided society during the troubled years of the sectarian conflict; the South's huge economic growth at the end of 1990s, baptised the 'Celtic Tiger', and Ireland's perpetual quest for identity, from the 1950s to the present day. Each decade is commented on by a notable contemporary Irish literary figure: Anthony Cronin, Nuala O'Faolain, Eamonn McCann, Fintan O'Toole, Colm Tóibín and Anne Enright invite the reader to dive into the social and political context of each period, providing a textual backdrop to the photographers' work.
Scrapbook
This has been made all for the love of scrapbooks. For about three centuries in many different countries, a scrapbook or album became the most immediate manner of diary making. In Ireland, this often took on a particular and idiosyncratic form. From the late 1960s until the early 1990s, the turmoil of Northern Ireland was often reflected in these hand-constructed books. Clippings from newspapers, family photos and personal mementos often found their way into highly individual collaged records of daily life. Donovan Wylie and Timothy Prus have recreated a nonsectarian version with the benefit of hindsight. Wylie, son of a mixed marriage, grew up in Belfast during a period when identification with one side of the sectarian divide or another was an essential component of everyday life. Scrapbook gives nothing but the authors personal view of an era and a kind of record making.
Magnum Magnum
Presents more than four hundred photographs taken by the photograhers of Magnum Photos.
Gilles Peress and Chris Klatell: Annals of the North
An almanac to the world of Gilles Peress' Whatever You Say, Say Nothing, delineating the decades of conflict in Northern Ireland In Annals of the North, New York-based photographer Gilles Peress (born 1946) and writer and lawyer Chris Klatell combine essays, stories, photographs, documents and testimonies to open up for the reader the complicated and contradictory storylines that emerged from the conflict in the North of Ireland. Weighed down by 800 years of colonization but only the size of Connecticut (with half its population), Northern Ireland provides a remarkably intimate stage set. Interweaving text and image, Annals of the Northexamines the multifaceted struggle between Irish Republicans and Nationalists, Protestant Unionists and Loyalists, and the imperial British, to explore broader themes of empire, retribution and betrayal, as well as the tense dialectic between the ordinary demands of everyday life and periodic explosions of violence. The book is at once wide-ranging yet deeply personal and political, alternately dense and humorous, legal and literary.
The Ameriguns
Of all the firearms in the world owned by private citizens for non-military purposes, half are in the United States of America. In number they exceed the country's population: 393 million for 372 million people. Photographer Gabriele Galimberti has travelled to every corner of the United States, to meet proud gun-owners, and to see their firearms collections. These, often unsettling, portraits, along with the accompanying stories of the owners and their firearms, provide an uncommon and unexpected insight into what today is really represented by the institution of the Second Amendment.
