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Regimes of Invisibility in Contemporary Art, Theory and Culture
This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopolitics and (de)coloniality. The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life. This book is firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality the need for rearticulation in theoretical, artistic and political practices and rethinking of historical narratives becomes almost tangible.
Primary Documents
This text presents documents drawn from the artistic archives of Eastern and Central Europe during the second half of the 20th century.
The Routledge Companion to Art and Activism in the Twenty-First Century
The Routledge Companion to Art and Activism in the Twenty-First Century brings together a wide range of geographical, cultural, historical, and conceptual perspectives in a single volume of new essays that facilitate a deeper understanding of the field of art activism as it stands today and as it looks towards the future. The book is a resource for multiple fields, including art activism, socially engaged art, and contemporary art, that represent the depth and breadth of contemporary activist art worldwide. Contributors highlight predominant lines of inquiry, uncover challenges faced by scholars and practitioners of activist art, and facilitate dialogue that might lead to new directions for ...
States of Mind
Published in conjunction with the exhibition 'States of mind: Dan and Lia Perjovschi, ' Nasher Museum of Art at Duke University, Aug. 22, 2007-Jan. 7, 2008.
Revolution is Not a Garden Party
Catalogue of an exhibition to commemorate the Hungarian Uprising held at the Trafao Gallery Budapest 26 October - 26 November 2006; the Holden Gallery Manchester 2 February - 28 February 2007; Norwich Gallery 22 March - 22 April 2007 and Galerija Miroslav Kraljeviac Zagreb 14 June - 6 July 2007.
Devices for Action
None
New Tendencies
An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from F...
e180 | all art has been contemporary
all art has been contemporary Editoriale a cura di Vittoria Magnoler e Lucrezia Not Piersandra Di Matteo, I Patti Lateranensi: sconfessare il Corpus Mysticum e il corpo del Capo. Un affondo sull’Episodio romano della Tragedia Endogonidia. Vito Ancona, Alberto Burri e la danza della materia. Lo spazio scenico di Spirituals per orchestra (1963) e November Steps (1973). In Your Face. Anagoor: un esercizio. Con la collaborazione degli studenti Iuav, a cura di Silvia De Min. Massimo Munaro, Presentazione di: La Tetralogia del Lemming. Il mito e lo spettatore, Il Ponte del Sale, 2021. Con una Nota per lo spettatore di Piermario Vescovo. Presentazione di: La camera meravigliosa. Per un atlante de...
Manifesta 4
Published on the occasion of Manifesta 4 - European Biennial of Contemporary Art, 25 May -25 Aug 2002, Frankfurt/Main.
