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Our Exodus
Examines the phenomenon of Leon Uris's Exodus and its largely unrecognized influence on post-World War II understandings of Israels beginnings in America and around the world.
The American Jewish Story Through Cinema
Like the haggadah, the traditional “telling” of the story of the Israelites’ exodus from Egypt that is read at the Passover seder, cinema offers a valuable text from which to gain an understanding of the social, political, and cultural realities of Jews in America. In an industry strongly influenced by Jewish filmmakers who made and continue to make the decisions as to which films are produced, the complex and evolving nature of the American Jewish condition has had considerable impact on American cinema and, in particular, on how Jews are reflected on the screen. This groundbreaking study analyzes select mainstream films from the beginning of the sound era to today to provide an under...
Transforming the Screen, 1950-1959
Covering a tumultuous period of the 1950s, this work explores the divorce of movie studios from their theater chains, the panic of the blacklist era, the explosive emergence of science fiction as the dominant genre, and the rise of television and Hollywood's response with widescreen spectacles.
Policing Show Business
In Policing Show Business, Francis MacDonnell explores the starring role played by J. Edgar Hoover in the development of the Hollywood blacklist in the 1940s and 1950s. As director of the FBI, Hoover poured resources into scrutinizing show business, a policy choice unjustified by any corresponding threat to public security. He detailed agents to write regular reports on actors, screenwriters, lyricists, singers, and studio executives. His frequent handwritten comments on papers inside the files of film industry personalities demonstrate a level of interest bordering on obsession. Policing Show Business is not just another book about the Hollywood blacklist. MacDonnell approaches the Red Scar...
The Final Victim of the Blacklist
John Howard Lawson was one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s. This biography of Lawson features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, and others.
Slow Fade to Black
Slow Fade to Black completes Richard B. Jewell’s richly detailed two-part history of the RKO film studio, which began with RKO Radio Pictures: A Titan Is Born, published in 2012. This second volume charts the studio’s fortunes, which peaked during World War II, declined in the postwar period, and finally collapsed in the 1950s. Drawing on hard-to-access archival materials, Jewell chronicles the period from 1942 to the company’s demise in 1957. Towering figures associated with the studio included Howard Hughes, Orson Welles, Charles Koerner, Val Lewton, Jane Russell, and Robert Mitchum. In addition to featuring an extraordinary cast of characters, the RKO story describes key aspects of entertainment history: Hollywood’s collaboration with Washington, film noir, censorship, HUAC, the rise of independent film production, and the impact of television on film. Taken as a whole, Jewell’s two-volume study represents the most substantial and insightful exploration of the Hollywood studio system to date.
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