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The Italian Emblem
The Italian Emblem: A Collection of Essays is the twelfth in the series 'Glasgow Emblem Studies'. This volume is linked to a project for the study and digitization of Italian emblem books held in the Stirling Maxwell Collection (Glasgow), financed by the Sixth EU Framework Programme for activities in the field of research. It aims at exploring the history, forms, themes of the Italian emblem tradition, with particular attention to sixteenth-century emblem books and their open, multifaceted, and metamorphic nature. To capture this nature, the volume includes contributions from different disciplines, ranging from literature to history of art and political philosophy, supplied by the following distinguished scholars: Guido Arbizzoni (University of Urbino 'Carlo Bo'), Monica Calabritto (Hunter College, CUNY), Giuseppe Cascione (University of Bari), Sonia Maffei (University of Bergamo), Anna Maranini (University of Bologna), Liana de Girolami Cheney (University of Massachusetts Lowell), Silvia Volterrani (CTL-Scuola Normale Superiore, Pisa). French text.
Art and Miracle in Renaissance Tuscany
Miraculous images are the focus for an exploration of art and devotion in Renaissance Italy.
Printers’ Devices in the Polish-Lithuanian Commonwealth
This book discusses the printers’ devices used in Poland-Lithuania in the fifteenth and sixteenth centuries. The compositions that served to identify the products of individual printers are explored here as previously unacknowledged research material for cultural studies: they allow for the reconstruction of the mentality of contemporary printers as well as their co-workers and reading public. The book investigates relationships within early modern intellectual communities and shows that the textual and visual discourses of the printers’ devices were pan-European, reflecting the networked communities of European centres of learning and commerce. It documents the broad range of the output of Polish-Lithuanian presses as well and is therefore also a study of book culture in a multinational and multilingual state, whose inheritance is poorly recognised internationally.
Et Amicorum: Essays on Renaissance Humanism and Philosophy
Jill Kraye, Professor Emerita of the Warburg Institute, is renowned internationally for her scholarship on Renaissance philosophy and humanism. This volume pays tribute to her achievements with essays by friends, colleagues, and doctoral students—all leading scholars—on subjects as diverse as her work. Articles on canonical figures such as Marsilio Ficino and Justus Lipsius mix with more quirky pieces on alphabetic play and the Hippocratic aphorisms. Many chapters seek to bridge the divide between humanism and philosophy, including David Lines's survey of the way fifteenth-century humanists actually defined philosophy and Brian Copenhaver's polemical essay against the concept of humanist philosophy. The volume includes a full bibliography of Professor Kraye's scholarly publications. Contributors are: Michael Allen, Daniel Andersson, Lilian Armstrong, Stefan Bauer, Dorigen Caldwell, Brian Copenhaver, Martin Davies, Germana Ernst, Guido Giglioni, Robert Goulding, Anthony Grafton, James Hankins, J. Cornelia Linde, David Lines, Margaret Meserve, John Monfasani, Anthony Ossa-Richardson, Jan Papy, Michael Reeve, Alessandro Scafi, and William Stenhouse.
Machiavelli in the British Isles
Machiavelli in the British Isles reassesses the impact of Machiavelli's The Prince in sixteenth-century England and Scotland through the analysis of early English translations produced before 1640, surviving in manuscript form. This study concentrates on two of the four extant sixteenth-century versions: William Fowler's Scottish translation and the Queen's College (Oxford) English translation, which has been hitherto overlooked by scholars. Alessandra Petrina begins with an overview of the circulation and readership of Machiavelli in early modern Britain before focusing on the eight surviving manuscripts. She reconstructs each manuscript's history and the afterlife of the translations befor...
The Art of Meditation and the French Renaissance Love Lyric
The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love. At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution.
Law, Medicine and Engineering in the Cult of the Saints in Counter-Reformation Rome: The Hagiographical Works of Antonio Gallonio, 1556-1605
The Oratorian priest Antonio Gallonio (1556-1605) devoted his life to writing about saints. The thread running through his hagiographical oeuvre was renunciation of this world: humility, subservience and endurance. Yet he engaged with the expertise of lay people, jurists, physicians and engineers, so as to appeal to their interests and convert them. In order to emphasize how saints endured torture, healed disease and exercised piety rather than ingenuity, Gallonio ventured into those secular disciplines, even if he did not endorse them. This book surveys Gallonio’s published and unpublished works and his position in Roman society, to expose the tensions between a theocratic clergy and the self-assertion of skilled and scholarly professionals in the Italian Counter-Reformation.
Leonardo’s Fables
Leonardo’s Fables explores the compositional methods and sources of Leonardo’s fables and their relationship to illustrations and scientific studies. By concentrating on the chaotic character of Leonardo’s textual and visual annotations, the author gradually discloses the artist’s creative thinking that uses the page as a space for experimentation. Fables allow Leonardo to tie together his technical and artistic skills, empirical observation, and experience to reveal the interactive forces at the basis of physical phenomena and the tensions between painting and humanistic culture. This study reevaluates Leonardo’s fables as part of a literary, aesthetic, and scientific project aimed at the investigation of Nature.
