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Burial sites have long been recognized as a way to understand past civilizations. Yet, the meanings of our present day cemeteries have been virtually ignored, even though they reveal much about our cultures. Exploring an extraordinarily diverse range of memorial practice - Greek Orthodox, Muslim, Jewish, Roman Catholic and Anglican, as well as the unchurched - The Secret Cemetery is an intriguing study of what these places of death mean to the living. Most of us experience cemeteries at a ritualized moment of loss. What we forget is that these are often places to which we return either as a general space in which to contemplate or as a specific site to be tended. These are also places where different communities can reinforce boundaries and even recreate a sense of homeland. Over time, ritual, artefact and place shape an intensely personal landscape of memory and mourning, a landscape more alive, more actively engaged with than many of the other places we inhabit.
This book explores the interrelations between work and social life. It emphasizes how workers expressive forms and public performances connect with processes of social, cultural, and individual empowerment. Departing from perspectives that emphasize organizational integration, equilibrium, and continuity, the authors present evidence from anthropology, history, and folklore to explore intersection of popular culture and working situations. The authors offer new data in the on-going debate about the separation of work and leisure, and raise questions about the diverse representations of class and the labor process. They identify workers cultural values that emerge within the changing context of production, and that are not merely an outcome of industrial hegemony. Instead, workers representations and articulations of craft mastery, class identity, and gender, reveal transformations of the traditional categories of those who produce and those who appropriate value. The studies of workers lives range from contemporary United States and Mexico to China, India, and Japan.
Studies how women in a reservation economy have creatively responded to federal policy.
At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre's philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre's work for the first time and to those who would like to read films within an existentialist perspective.
A gifted photographer, Ernest Knee came to Santa Fe in 1931, setting up a studio and befriending artists and photographers such as including Ansel Adams, Georgia O'Keeffe, and Laura Gilpin.