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Over the last decade, migration flows from Central and Eastern Europe have become an issue in political debates about human rights, social integration, multiculturalism and citizenship in Great Britain. The increasing number of Eastern Europeans living in Britain has provoked ambivalent and diverse responses, including representations in film and literature that range from travel writing, humorous fiction, mockumentaries, musicals, drama and children's literature to the thriller. The present volume discusses a wide range of representations of Eastern and Central Europe and its people as reflected in British literature, film and culture. The book offers new readings of authors who have influe...
After unification large amounts of money were spent to retrain the East Germany labour force in order to ease the transition to the new market economy. This book uses microeconometric methods and individual data to evaluate the impact of these training programmes on the participants' labour market situation. It discusses the appropriate evaluation methodology as well as the effectiveness of the actual programmes for the individual participants. The empirical results suggest that the public sector sponsored training programmes were fairly ineffective. In contrast, the training organized and paid by the enterprises caused considerable earnings growings.
Histories for the Many examines the contribution of illustrated family magazines to Victorian historical culture. How, by whom, for whom and with which intentions was history used within this popular medium? How were class, gender, age, religion, and space debated? How were academic and popular approaches to the past linked to the materiality of the medium? The focus is set on the evangelical Leisure Hour with comparisons to the London Journal, Good Words and Cornhill. The study's approach to the serialisation of history in text and image combines periodical studies and book history with concepts from cultural studies, sociology as well as narratology.
The focus of this study is to discover the identity of the emphatic ‘I’ of Rom 7 with the added purpose of attempting to ‘draw’ a spiritual portrait of a mature Christian believer. To accomplish this purpose, the process is as follows: An examination of Rom 7, within its context, is conducted. This examination is followed by an attempt at determining the experience of the emphatic ‘I’ found within Rom 7. The next step in the process is to compare the experience of the emphatic ‘I’ of Rom 7, as found within its context of Rom 1–8 with what Paul wrote elsewhere on the experience of new life in Christ for Christian believers. The purpose of this comparison is to discover if Pa...
This book attempts to discuss selected but thorny issues of humor research that form the major stumbling blocks as well as challenges in humor studies at large and thus merit insightful discussion. Any discourse is action, so the text-creation process is always set in a non-verbal context, built of a social and communicative situation, and against the background of relevant culture. On the other hand, humor scholars claim that humorous discourse has its special, essential features that distinguish it from other discourses. The pragmatic solution to the issue of potential circularity of humor defined in terms of discourse and discourse in terms of humor seems only feasible, and thus there is a need to discuss the structure and mechanisms of humorous texts and humorous performances. The chapters in the present volume, contributed by leading scholars in the field of humor studies, address the issues from various theoretical perspectives, from contextual semantics through General Theory of Verbal Humor, cognitive linguistics, discourse studies, sociolinguistics, to Ontological Semantic Theory of Humor, providing an excellent overview of the field to novices and experts alike.
Morgan-Ellis brings the era of movie palaces to life. She presents the origins of theater sing-alongs in the prewar community singing movement, describes the components of a sing-along, explores the styles of several organists, and assesses the aftermath of sound technology, including the sing-along films and children's matinees of the 1930s.
The present boom in popular history is not unprecedented. The contributions to this volume investigate peaks of historical interest which favour popular approaches from around 1800 to the present. They analyse the media, genres and institutions through which historical knowledge has been disseminated - from artefacts to the archive, from poetry to photography, from music to murals, and from periodicals to popular TV series. They ask how major traditions in the popular imagery of the past have evolved and changed over time. Cultural contexts covered in the book include Western and Southern Europe, the United States and West Africa. Contributors come from a range of disciplines, including history, literary and cultural studies, musicology as well as social and cultural anthropology.
Since the publication of the first children's periodical in the 1750s, magazines have been an affordable and accessible way for children to read and form virtual communities. Despite the range of children's periodicals that exist, they have not been studied to the same extent as children's literature. The Edinburgh History of Children's Periodicals marks the first major history of magazines for young people from the mid-eighteenth century to the present. Bringing together periodicals from Britain, Ireland, North America, Australia, New Zealand and India, this book explores the roles of gender, race and national identity in the construction of children as readers and writers. It provides new insights both into how child readers shaped the magazines they read and how magazines have encouraged children to view themselves as political and world subjects.
An illustrated encyclopedia with articles on history, literature, art and music, geography, mathematics, science, sports, and other topics. Some articles include activities, games, or experiments.
Web-sling into action with an oversized hardcover art book chronicling the development of Marvel’s Spider-Man 2 through never-before-seen concept art and intimate creator commentary. Peter Parker and Miles Morales return for an exciting new adventure in the critically acclaimed Marvel’s Spider-Man video game saga. As the inimitable web-heads swing, jump, and glide across Marvel’s New York, the iconic villains threaten to destroy their lives, their city, and the ones they love. Now readers can explore the creation of this dynamic new entry in the Spider-Man video game series—from unforgettable characters, extraordinary equipment, breathtaking locales, thrilling storyboards, and more—all accompanied by comments from the game’s creative team! Dark Horse Books and Marvel Games have joined forces to present The Art of Marvel’s Spider-Man 2. This passionately designed volume celebrates the art and artistry behind the Wall-Crawlers and their exploits, and provides fascinating insights to amaze any Spider-Fan!