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Doris Lessing was one of the most impressive, prolific and vital of twentieth century writers. Her fiction is obsessed with the workings of cultural change and she radically extended the novel’s scope – most famously and influentially in The Golden Notebook – by questioning the realist tradition she inherited and the wider social beliefs about self, sexuality and authority which that tradition symbolized. This study, originally published in 1983, surveys her epic output from her early, African writings to her later experiments with space fiction. It traces her struggles to decentre imaginative life and to erase and to redraw the boundaries of our mental maps in favour of values on the margins of the official culture.
In these twenty-four interviews spanning several decades, Doris Lessing talks frankly to a variety of interviewers--among them Joyce Carol Oates and Studs Terkel--about such subjects as her early years in Rhodesia, her involvement in Marxism and Sufism, her views on feminism, and her own fiction, especially The golden notebook.
Doris Lessing is a writer for all times; she is a historiographer and a transnational translational mediator between the East and the West. This volume provides a collection of articles analysing Doris Lessing’s literature. The first part, entitled “Lessing’s World of Words”, offers a broad vision of the writer’s novels; it introduces her many genres and sheds light on her literary affiliations. This is followed by “Lessing’s Other Spaces”, which dives into the novelist’s imaginary and spiritual universes. The final part, “Intersections: Lessing and Other Writers” establishes an analogy between Lessing’s texts and Ahlem Mustaghanemi’s Memory in the Flesh, Atiq Rahimi’s Earth and Ashes and Salman Rushdie’s Shame.
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The landmark novel of the Sixties – a powerful account of a woman searching for her personal, political and professional identity while facing rejection and betrayal.
An original and compelling appraisal of this important international literary figure
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Through close readings of Doris Lessing's novels from The Grass is Singing to The Fifth Child, Margaret Moan Rowe maps many of the literary and cultural negotiations that make Doris Lessing both a maverick and a mainstream novelist. Examining the pull of paternal and maternal biographical and literary identification in Lessing, Rowe relates them to the tensions between the ordinary and the visionary in her fiction.
This study covers a wide range of Doris Lessing's works, including all of the novels (from The Grass is Singing through The Golden Notebook to The Good Terrorist and The Fifth Child) and a representative selection of her non-fictional prose and short stories.
This murder story features a Rhodesian farmer's wife and her houseboy.