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Verne Sankey
In late January of 1934, as authorities delivered John Dillinger to an Indiana jail, the United States Justice Department announced, for the first time, that the Federal Bureau of Investigation had just captured America’s Public Enemy No. 1. It was not Dillinger the Justice Department was referring to, but an affable railroader turned outlaw, Verne Sankey. Now Timothy W. Bjorkman has written the first full-length biography of this overlooked criminal, relating how a South Dakota family man became a bootlegger, a bank robber, and eventually, a kidnapper whose deeds heralded a nationwide crime spree. In the early days of Prohibition, Sankey, then a locomotive engineer, was drawn to the easy ...
From Southern Wrongs to Civil Rights
This first-hand account tells the story of turbulent civil rights era Atlanta through the eyes of a white upper-class woman who became an outspoken advocate for integration and racial equality As a privileged white woman who grew up in segregated Atlanta, Sara Mitchell Parsons was an unlikely candidate to become a civil rights agitator. After all, her only contacts with blacks were with those who helped raise her and those who later helped raise her children. As a young woman, she followed the conventional path expected of her, becoming the dutiful wife of a conservative husband, going to the country club, and playing bridge. But unlike many of her peers, Parsons harbored an increasing uneas...
The Vendett
By the end of 1934 Melvin Purvis was, besides President Roosevelt, the most famous man in America. Just thirty one years old, he presided over the neophyte FBI's remarkable sweep of the great Public Enemies of the American Depression - John Dillinger; Pretty Boy Floyd; Baby Face Nelson. America finally had its hero in the War on Crime, and the face of all the conquering G-Men belonged to Melvin Purvis. Yet these triumphs sowed the seeds of his eventual ruin. With each new capture, each new headline touting Purvis as the scourge of gangsters, one man's implacable resentment grew. J. Edgar Hoover, Director of the FBI, was immensely jealous of the agent who had been his friend and protege, and ...
Chasing Dillinger
Indiana State Police Captain Matt Leach led the hunt for John Dillinger during the violent early 1930s. Pushing a media campaign aimed at smoking out the fugitive, Leach elevated Dillinger to unprecedented notoriety. In return, Dillinger taunted him with phone calls and postcards, and vowed to kill him. Leach's use of publicity backfired, making him a pariah among his fellow policemen, and the FBI ordered his firing in 1937 for challenging their authority. This is the first full-length biography of the man.
The Three Governors Controversy
The death of Georgia governor-elect Eugene Talmadge in late 1946 launched a constitutional crisis that ranks as one of the most unusual political events in U.S. history: the state had three active governors at once, each claiming that he was the true elected official. This is the first full-length examination of that episode, which wasn't just a crazy quirk of Georgia politics (though it was that) but the decisive battle in a struggle between the state's progressive and rustic forces that had continued since the onset of the Great Depression. In 1946, rural forces aided by the county unit system, Jim Crow intimidation of black voters, and the Talmadge machine's “loyal 100,000” voters united to claim the governorship. In the aftermath, progressive political forces in Georgia would shrink into obscurity for the better part of a generation. In this volume is the story of how the political, governmental, and Jim Crow social institutions not only defeated Georgia's progressive forces but forestalled their effectiveness for a decade and a half.
Dialogues with Creative Legends and Aha Moments in a Designer's Career
In Dialogues with Creative Legends, you will find answers to some of the perplexing questions talented people confront. From these dialogues emerge a startling range of ideas, from beginning a creative career to developing client relationships, mentoring, and the role of design thinking in society. The author's gradual revelations about the intertwined contributions of creator and patron will resonate with students and practitioners in all the creative professions. This remarkable book explores the role of creativity in commerce and culture. It's a quest for livelihood and meaning that is at once highly personal--and strikingly universal. Come along as the author interviews many of the creative luminaries of the late 20th century, including: Saul Bass, Buckminster Fuller, Paul Rand, Lou Dorfsman, Herb Lubalin, Don Trousdell, Charles & Ray Eames, George Nelson, Massimo Vignelli, Heinz Edelmann, Victor Papanek, and Hermann Zapf.
Atlanta and Environs
Atlanta and Environs is, in every way, an exhaustive history of the Atlanta Area from the time of its settlement in the 1820s through the 1970s. Volumes I and II, together more than two thousand pages in length, represent a quarter century of research by their author, Franklin M. Garrett—a man called “a walking encyclopedia on Atlanta history” by the Atlanta Journal-Constitution. With the publication of Volume III, by Harold H. Martin, this chronicle of the South’s most vibrant city incorporates the spectacular growth and enterprise that have characterized Atlanta in recent decades. The work is arranged chronologically, with a section devoted to each decade, a chapter to each year. V...
The Life and Music of Graham Jackson
A groundbreaking Black artist and his career in the Jim Crow South This book is the first biography of Graham Jackson (1903-1983), a virtuosic musician whose life story displays the complexities of being a Black professional in the segregated South. David Cason discusses how Jackson navigated a web of racial and social negotiations throughout his long career and highlights his little-known role in events of the twentieth century. Widely known for an iconic photo taken of him playing the accordion in tears at Franklin D. Roosevelt’s funeral, which became a Life magazine cover, Jackson is revealed here to have a much deeper story. He was a performer, composer, and high school music director ...
Sylvia Porter
In 1942, the directors of the New York Stock Exchange met to discuss a problem. The exchange—its air charged with testosterone, its floor scuffed by the frantic paces of men racing one another for shares of the American dream—was off-limits to women. This, it was agreed, was how it should be. However, it had recently become public knowledge that one of New York’s most prolific and respected financial writers, S. F. Porter, was a woman. If Porter trained her eye on the all-male stock exchange, the NYSE might find itself the subject of some unwanted controversy during the electrified “Rosie the Riveter” days of World War II. But should women really be allowed into the stock exchange?...
The Incomparable Hildegarde
The Incomparable Hildegarde (1906-2005) began her career as a pianist in Milwaukee's silent movie theaters, which led to the Vaudeville stage. By the 1930s, she was singing in the cabarets of Paris and London, rubbing elbows with royalty, White Russians and Josephine Baker. She then became a darling of the New York supper club scene and her name became synonymous with high-class entertainment at venues like the Plaza Hotel's Persian Room. She started fashion trends, had her own signature Revlon nail and lip color, and was the first to have song hits in the World War II era. This first biography of Hildegarde Sill covers her 70-year career, including her intimate relationship with her manager, Anna Sosenko, and emphasizes her importance in 20th-century American popular culture.
