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Indology's Pulse
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Many Heads, Arms, and Eyes
One of the first things that strike the Western viewer of Indian art is the multiplicity of heads, arms and eyes. This convention grows out of imagery conceived by Vedic sages to explain creation. This book for the first time investigates into the meaning of this convention. The author concentrates on its origins in Hindu art and on preceding textual references to the phenomenon of multiplicity.The first part establishes a general definition for the convention. Examination of all Brahmanical literature up to, and sometimes beyond, the 1st - 3rd century A.D., adds more information to this basic definition.The second part applies this literary information mainly to icons of the Yaksa, iva, V sudeva-Kr sn a and the Goddess, and indicates how Brahmanical cultural norms, exemplified in Mathur , can transmit textual symbols.Both Part I and Part II provide iconic modules and a methodology to generate interpretations for icons with this remarkable feature through the Gupta age.
On the Cusp of an Era
South Asian religious art became codified during the Ku a Period (ca. beginning of the 2nd to the mid 3rd century). Yet, to date, neither the chronology nor nature of Ku a Art, marked by great diversity, is well understood. The Ku a Empire was huge, stretching from Uzbekistan through northern India, and its multicultural artistic expressions became the fountainhead for much of South Asian Art. The premise of this book is that Ku a Art achieves greater clarity through analyses of the arts and cultures of the Pre- Ku a World, those lands becoming the Empire. Fourteen papers in this book by leading experts on regional topography and connective pathways; interregional, multicultural comparisons; art historical, archaeological, epigraphic, numismatic and textual studies represent the first coordinated effort having this focus.
Many Heads, Arms and Eyes
One of the first things that strike the Western viewer of Indian art is the multiplicity of heads, arms and eyes. This convention grows out of imagery conceived by Vedic sages to explain creation. This book for the first time investigates into the meaning of this convention. The author concentrates on its origins in Hindu art and on preceding textual references to the phenomenon of multiplicity. The first part establishes a general definition for the convention. Examination of all Brahmanical literature up to, and sometimes beyond, the 1st - 3rd century A.D., adds more information to this basic definition. The second part applies this literary information mainly to icons of the Yaksa, Śiva, Vāsudeva-Kṛsṇa and the Goddess, and indicates how Brahmanical cultural norms, exemplified in Mathurā, can transmit textual symbols. Both Part I and Part II provide iconic modules and a methodology to generate interpretations for icons with this remarkable feature through the Gupta age.
Mathurā
This Book Is A Collection Of Papers Focussing On The Major Facets Of Life Within The Town Of Ancient Mathura From Earliest Times Up To And Including The Third Century A.D, The Formative Period Of Indian Culture And Urban Growth.
The Lord Who Is Half Woman
The designation "Lord Who Is Half Woman" refers to the androgynous Hindu god Ardhanarisvara (also known as Siva-Sakti). While iconographical aspects of this significant image have been addressed, the complex theological, philosophical, and social implications inherent in a dual gendered deity have not. This book provides the first extensive study of the influence of Ardhanarisvara, exploring four distinct areas of Indian culture, namely iconography, hatha yoga, devotional poetry (bhakti), and mythology. Ellen Goldberg also offers a feminist analysis of the ways in which "male" and "female" have been constructed in this image and the various representations pertaining to the broader gender implications of an androgynous deity.
Environmental Consciousness and the Nine Schools of Indian Philosophy
This book presents an analytical exposition of the ‘Nine Schools’ of Indian philosophy, extrapolating ‘Environmental Ethics’ from the profound metaphysics of these Nine Schools, which serve as the cornerstone of a life lived in wisdom. This book uses the popular contemporary word ‘Environment,’ with the meaning expounded by the Vedic texts. Therefore, it includes the internal, external and cosmic states of all the creatures of the world, and relates them to the universal laws of creation, preservation, and annihilation of every existence following the path of the cosmic order (Ṛta). It argues that realization of the fact that all entities in the world are illuminated by the same Universal Spirit is also necessary. While the book emphasizes the external environmental woes of the world, such as deforestation, animal cruelty, pollution, climate change, and more, it also underscores that these are merely manifestations of humans’ internal perverted environmental states. Thus, humankind should not look at external issues that are limited and temporary, but should focus on the longer-lasting internal transformation.
Portraiture in Early India
This book highlights the specificities of Indian portraiture in sculpted and painted images, its relationship with divine images and aims, with the help of textual and epigraphical references, to understand the development of Indian imagery. It questions also the social and religious implications related to this issue.
How the Brahmins Won
This is the first study to systematically confront the question how Brahmanism, which was geographically limited and under threat during the final centuries BCE, transformed itself and spread all over South and Southeast Asia. Brahmanism spread over this vast area without the support of an empire, without the help of conquering armies, and without the intermediary of religious missionaries. This phenomenon has no parallel in world history, yet shaped a major portion of the surface of the earth for a number of centuries. This book focuses on the formative period of this phenomenon, roughly between Alexander and the Guptas.
Religions and Trade
In Religions and Trade a number of international scholars investigate the ways in which eastern and western religions were formed and transformed from the perspective of "trade." Trade changes religions. Religions expand through the help of trade infrastructures, and religions extend and enrich the trade relations with cultural and religious "commodities" which they contribute to the “market place” of human culture and religion. This leads to the inclusion, demarcation and densification as well as the amalgamation of religious traditions. In an attempt to find new pathways into the world of religious dynamics, this collection of essays focuses on four elements or “commodities” of religious interchange: topologies of religious space, religious symbol systems, religious knowledge, and religious-ethical ways of life. Contributors include: Christoph Auffarth, Izak Cornelius, Georgios Halkias, Geoffrey Herman, Livia Kohn, Al Makin, Jason Neelis, Volker Rabens, Abhishek Singh Amar, Loren Stuckenbruck, Joan Goodnick Westenholz, Peter Wick, Michael Willis, and Sylvia Winkelmann.
