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Explores nationality, gender, and postmodern subjectivity in the work of five German-speaking women writers who embody a "nomadic ethics." How can postmodern subjectivity be ethically conceived? What can literature contribute to this project? What role do "gender" and "nation" play in the construction of contemporary identities? Nomadic Ethics broaches these questions, exploring the work of five women writers who live outside of the German-speaking countries or thematize a move away from them: Birgit Vanderbeke, Dorothea Grünzweig, Antje Rávic Strubel, Anna Mitgutsch, and Barbara Honigmann. It draws on work by Rosi Braidotti, Sara Ahmed, and Judith Butler to develop a nomadic ethics, and e...
Women in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies that employ gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Marjorie Gelus is a professor of German at California State University at Sacramento. Helga W. Kraft is a professor of Germanic studies at the University of Illinois at Chicago.
Opening Boundaries: Toward Finnish Heterolinational Literatures is a part of our project, entitled "Toward a More Inclusive and Comprehensive Finnish Literature," conducted at the Finnish Literature Society (SKS) and the University of Tampere during 2018-2019. This cross-cultural collection of texts demonstrates the emergence and growth of new heterogeneous, multicultural and multilingual literatures within the Finnish literary canon. The anthology includes some literary outputs by twenty-four immigrant authors, living in Finland from sixteen different nationalities, and their works in ten different languages make this collection multilingual. However, for the sake of readability, the translation of some of their works in Finnish or English has been offered.
In recent years, schools have started introducing more inclusive syllabi emphasizing the works and ideas of previously overlooked or underrepresented writers. Readers of all ages can now explore the rich contributions of writers from around the world. These writers have various backgrounds, and unlike most writers from the U.S. or the United Kingdom, information on them in English can be difficult to find. Encyclopedia of World Writers: 1800 to the Present covers the most important writers outside of the U.S., Britain, and Ireland since 1800. More than 330 insightful, A-to-Z entries profile novelists, poets, dramatists, and short-story writers whose works are anthologized in textbooks or ass...
Derk Wynand began to publish a cohesive body of work in the 1970s. Though his poems touch on aspects of daily life both public and private, Wynand is essentially a love poet dedicated to exploring all aspects of his theme: from initial attraction and sustained eroticism, the anxieties and constancies of gradually negotiated connection, the satisfying longueurs of fidelity, to the pleasures of the seemingly timeless domestic moment. A poet of sentiment rather than of sentimentality, he tests the mettle of his vocation in his nimble, unruffled handling of point of view and the poetic line. Whether Wynand sets his poetry in the snows of European folklore, the sunny climes of Portugal and Mexico or the rains of British Columbia, he adroitly maps the inscape of the human heart. The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential Derk Wynand is the twenty-first volume in the increasingly popular series.
Ulrike Draesner is a prize-winning writer of novels, short stories, critical essays and poetry, and one of the foremost authors in Germany today. While a number of volumes have been published in German on her work, the current Companion offers the first volume on Draesner in English, capitalising on the interest in her work in Germany and further afield. Introducing Draesner’s major novels and short stories, poetry collections and essays, as well as giving an overview of existing research focusing on migration, memory, science, gender and bodily experience, chapters by international scholars in this volume also break new ground by focussing on visual culture, poetology, nature, the posthuman and Draesner’s reception of English literature and medieval culture. A comprehensive bibliography, commissioned interview and original writing by Draesner make the volume a valuable research tool for scholars and students. This will become essential reading for all those interested in Draesner, women’s writing, literature and history, and contemporary German prose and poetry.
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