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'About as close to flawless as any reader could ask for' The New York Times Book Review 'For anyone who has ever felt the contempt of a self-righteous world, this book will resonate within you like a gospel choir. For anyone who hasn't, this book will be an education' Barbara Kingsolver Carolina in the 1950s, and Bone - christened Ruth Anna Boatwright - lives a happy life, in and out of her aunt's houses, playing with her cousins on the porch, sipping ice tea, loving her little sister Reece and her beautiful young mother. But Glen Waddell has been watching them all, wanting her mother too, and when he promises a new life for the family, her mother gratefully accepts. Soon Bone finds herself in a different, terrible world, living in fear, and an exile from everything she knows. Bastard Out of Carolina is a raw, poignant tale of fury, power, love and family. This editon contains an introduction by the author. Dorothy Allison was awarded the 2007 Robert Penn Warren Award for Fiction, and has been likened to Flannery O'Connor, William Faulkner and Harper Lee.
Trash, Allison's landmark collection, laid the groundwork for her critically acclaimed Bastard Out of Carolina, the National Book Award finalist that was hailed by The New York Times Book Review as "simply stunning...a wonderful work of fiction by a major talent." In addition to Allison's classic stories, this new edition of Trash features "Stubborn Girls and Mean Stories," an introduction in which Allison discusses the writing of Trash and "Compassion," a never-before-published short story. First published in 1988, the award-winning Trash showcases Allison at her most fearlessly honest and startlingly vivid. The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.
Bastard Out of Carolina, nominated for the 1992 National Book Award for fiction, introduced Dorothy Allison as one of the most passionate and gifted writers of her generation. Now, in Two or Three Things I Know for Sure, she takes a probing look at her family's history to give us a lyrical, complex memoir that explores how the gossip of one generation can become legends for the next. Illustrated with photographs from the author's personal collection, Two or Three Things I Know for Sure tells the story of the Gibson women -- sisters, cousins, daughters, and aunts -- and the men who loved them, often abused them, and, nonetheless, shared their destinies. With luminous clarity, Allison explores how desire surprises and what power feels like to a young girl as she confronts abuse. As always, Dorothy Allison is provocative, confrontational, and brutally honest. Two or Three Things I Know for Sure, steeped in the hard-won wisdom of experience, expresses the strength of her unique vision with beauty and eloquence.
A collection of essays, autobiographical narratives, and performance pieces.
"Razor sharp, angry, and full of passion, Dorothy Allison stands her ground and refuses to leave any of the hard stuff behind. Whether writing about her dirt-poor Southern childhood, its brutalities and its love, or her lesbian lust--her outlaw sexuality--her poetry is cheeky, touching, and on target as she speaks the truth to the women she loves."--BOOK JACKET.
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Since the publication of her groundbreaking novel, Bastard Out of Carolina, Dorothy Allison (b. 1949) has been known—along with Larry Brown and Lee Smith—as a purveyor of the working-class, contemporary South. Allison has frequently used her position, through passionate lectures and enthusiastic interviews, to give voice to issues dear to her: poverty, working-class life, domestic violence, feminism and women’s relationships, the contemporary South, and gay/lesbian life. Often called a “writer-rock star” and a “cult icon,” Allison is a true performer of the written word. At the same time, Allison also takes the craft of writing very seriously. In this collection, spanning almost two decades, Allison the performer and Allison the careful craftsperson both emerge, creating a portrait of a complex woman. In the absence of a biography of Allison’s life, Conversations with Dorothy Allison presents Allison’s perspectives on her life, literature, and her conflicted role as a public figure.
Since the publication of her groundbreaking novel, Bastard Out of Carolina (1992), Dorothy Allison (b. 1949) has been known--as with Larry Brown and Lee Smith--as a purveyor of the "gritty" contemporary South that, in many ways, is worlds away from prevailing "Southern Gothic" representations of the region. Allison has frequently used her position, through passionate lectures and enthusiastic interviews, to give voice to issues dear to her: poverty, working-class life, domestic violence, feminism and women's relationships, the contemporary South, and gay/lesbian life. Often called a "writer-rock star" and a "cult icon," Allison is a true performer of the written word. At the same time, Allis...
The Writer's Notebook offers aspiring authors the most enlightening and engaging seminars and essays from some of Tin House's favorite writers. Jim Shepard, Aimee Bender, Steve Almond, Antonya Nelson and others break down specific elements of craft and share insights into the joys and pains of their own writing.
This is a collection of essays examining the works of Dorothy Allison (1950-), one of the most original and influential contemporary American women writers working today. Allison is perhaps best-known as author of the acclaimed best- selling novels Bastard Out of Carolina, a National Book Award Finalist in 1992, and Caved weller (1998). Her numerous other works have included short story and essay collections, poetry, and an autobiography. The critical essays in this collection consider Allison's short stories and essays, as well as her novels, discussing themes such as trauma and violence, the body, literary and critical connections, and class, among others. As the first major collection of essays to focus solely on Allison's works, this study provides ground-breaking work on an important and interesting contemporary writer. Allison's works attract readers from a range of academic disciplines, and they have found a broad national public readership as well. diverse, comprising readers interested in a range of gender issues, autobiographical writing, trauma narratives, Southern writing, and lesbian and gay writing and issues.