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The Story of Viewers For Quality Television
Viewers for Quality Television (VQT) emerged from the successful grassroots campaign of founder Dorothy Swanson to save the series Cagney & Lacey. Eight months after the drama returned to the air-with the help of the show's producer Barney Rosenzweig-Swanson's group gained significant media attention and popular support. In 1984 she founded VQT and galvanized over 1500 advocates for innovative and enriching television programming. For the past 12 years, VQT has been the recognized and credible forum for discerning viewers. Prior to the formation of this group, there was no system in place where viewers could voice their opinions collectively to those responsible for the fate of programs. The...
TV Creators
This sequel provides yet another dozen of today's most acclaimed writers and producers an open, uncensored forum in which they discuss everything from their work ethic to the political, social, and economic issues affecting the television industry. The West Wing, C.S.I., and Judging Amy are just a few of the dramas that launched a new era of television at the turn of the millennium. TV Creators gives scholars and fans alike an exclusive, firsthand account of the lives, philosophies, and contributions of some of the best television scribes of the past two decades. TV Creators: Volume Two includes revelations such as Aaron Sorkin (The West Wing) admitting that he is not a natural storyteller, ...
The West Wing
Informed by historical scholarship and media analysis, this book takes a critical look at the award-winning show from a wide range of perspectives. Media scholars Peter C. Rollins and John E. O’Connor make an important contribution to the field with an eclectic mix of essays, which translate the visual language of the onscreen politics of the series.
Prime-Time Authorship
Designed to inspire the fledgling scriptwriter, this book combines analytical essays on the work of three successful television writers with interviews and complete scripts printed in correct professional format. The writers Marion Hargrove (Maverick, The Waltons), Joseph Dougherty (thirtysomething), and Michael Kozoll (Hill Street Blues) are used as examples of professionals who developed a personal voice and a distinctive style while serving as staff writers for existing prime-time television programs. Douglas Heil theorizes that students of television scriptwriting need to engage in "close study of exemplary," and the three full scripts he offers a.re useful models of humane and entertaining drama. The book is of value not only to aspiring scriptwriters but also to those readers with a general interest in media history.
The Gatekeeper
From 1960 to 1990, Alfred R. Schneider served as head of standards and practices, or "chief censors," for the ABC television network. From his unique vantage point, Schneider managed issues of taste and morality that determined what millions of U.S. viewers watched. During his tenure the nation's attitudes changed drastically, as did the content shown on American airwaves. Controversies arose about TV's influence on children, its portrayal of violence, and its introduction of once taboo subjects.
Complex TV
A comprehensive and sustained analysis of the development of storytelling for television Over the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate forms of serial narrative, resulting in a robust period of formal experimentation and risky programming rarely seen in a medium that is typically viewed as formulaic and convention bound. Complex TV offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these ...
Inside the TV Writer's Room
Aspiring writers often ask how they can break into the television writing business. Meyers believes that the answer can be found by asking why people become television writers and what makes them successful. Inside the TV Writer’s Room reveals these insights and much more. This volume, a collection of interviews with some of today’s top episodic writers arranged in a roundtable format, explores the artists’ drive to express how they honed their creativity, and what compromises they have made to pursue their craft both before and after finding success. Each chapter’s topic is distilled into a practical lesson for both professionals and aspirants to heed if they wish to find or maintai...
The Tabloid Culture Reader
The Tabloid Culture Reader provides an accessible and useful introduction to the field.
Reality TV
Scholars explore this not-so-recent tv trend.
Beautiful TV
Offers a different approach to analyzing television series. Starting from the premise that much of television is "drop-dead gorgeous" and that TV should be studied for its formal qualities as well as its social impact, this work analyzes "Ally McBeal" in terms of its aesthetic principles and narrative construction.
