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The Silent and Soft Communion
Conversion narratives were one of the earliest forms of public expression for American women writers, sanctioned—and indeed welcomed—for their personal, first-hand testimonies about seasons of religious grace. Two eighteenth-century women, Sarah Pierpont Edwards and Sarah Prince Gill, wrote conversion narratives of remarkable craft and insight. These pieces, collected for the first time in The Silent and Soft Communion, represent two generations of Calvinist evangelism, addressing the social implications of spiritual regeneration and presenting full, fascinating accounts of Calvinist religious life.Sarah Pierpont Edwards is best known as the wife of Jonathan Edwards, one of the most reno...
Dreaming with Open Eyes
Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.
Sarah Osborn's World
In 1743, sitting quietly with pen in hand, Sarah Osborn pondered how to tell the story of her life, how to make sense of both her spiritual awakening and the sudden destitution of her family. Remarkably, the memoir she created that year survives today, as do more than two thousand additional pages she composed over the following three decades. Sarah Osborn's World is the first book to mine this remarkable woman’s prolific personal and spiritual record. Catherine Brekus recovers the largely forgotten story of Sarah Osborn's life as one of the most charismatic female religious leaders of her time, while also connecting her captivating story to the rising evangelical movement in eighteenth-ce...
Tsvetaeva's Orphic Journeys in the Worlds of the Word
Tsvetaeva's Orphic Journeys in the Worlds of the Word explores the rich theme of the myth of Orpheus as master narrative for poetic inspiration and creative survival in the life and work of Marina Tsvetaeva. Olga Peters Hasty establishes the basic themes of the Orphic Complex--the poet's longing to mediate between the embodied physical world and an "elsewhere," the poet's inability to do so, the primacy of the voice over the visual world, the insistence on concrete imagery, the costs of the poet's gift--and orders her arguments in the tragic shape of the Orpheus myth as it worked itself out organically in Tsvetaeva's own life. Hasty delineates the connections between the Orpheus myth and other key mythological and literary figures in the poet's life--including Alexander Blok, Anna Akhmatova, Alexander Pushkin, and Rainer Maria Rilke--to make an important and original critical contribution.
Ancient Greek Myth in Modern Greek Poetry
Originally published in 1996, this volume contains essays by scholars, critics and translators and includes themes such as the myth in the Cretan Renaissance and the use of ancient myth by 19th and 20th Century poets. Some essays deal with individual mythical figures such as Odysseus, Orpheus, Prometheus and Aphrodite, while others deal with the problematic issue of the use of myth by Greek women poets. The discussion is completed by comparing attitudes to the ancient Greeks as embodied in English and modern Greek poetry.
Metaliterary Layers in Finnish Literature
In international research, metafictionality and other metaliterary features have typically been regarded as phenomena related to postmodernist fiction, in particular – Metaliterary Layers in Finnish Literature, however, discusses the metalayers of Finnish literature from the early 20th century to the present. By analyzing different genres of Finnish literature in varying historical contexts Metaliterary Layers in Finnish Literature provides an abundance of new information on Finnish literature and its metaliterary phenomena for everyone interested. In the articles of this book, the metalayers of literature are discussed in experimental prose and poetry as well as in popular fiction and children’s literature.
Theory into Poetry
At the beginning of the 21st century, there is still no generally accepted comprehensive definition of the lyric or differentiated modern toolkit for its analysis. The reception of poetry is largely characterised either by an empathetic identification of critics with the lyric persona or by exclusive interest in formal patterning. The present volume seeks to remedy this deficit. All the contributors ‘theorise’ the lyric to overcome the impasse of an impressionistic and narrowly formalistic critical debate on the genre. Their papers focus on a variety of different questions: the problem of establishing a framework for definition and classification; the search for dynamic and potent critical approaches; investigations of poetry's cultural performance and its fundamental relevance for the construction of group cohesion. The essays collected in this volume offer a consciously polyphonic range of theories and interpretations, suggesting to the reader a variety of theoretical frameworks and practical illustrations of how a discussion of poetry may be firmly grounded in modern literary theory.
Under the Spell of Orpheus
This comprehensive view of the Orpheus myth in modern art focuses on an extremely rich artistic symbol and cuts through all the clichés to explore truly significant problems of meaning. The author takes a new approach to the iconography of major modern artists by incorporating psychological and literary analysis, as well as biography. The three parts of the book explore the ways in which artists have identified with different aspects of the often paradoxical Orpheus myth. The first deals with artists such as Paul Klee, Carl Milles, and Barbara Hepworth. In the second, Max Beckmann, Oskar Kokoschka, and Isamu Noguchi are discussed. Artists examined in the final part include Pablo Picasso, Jacques Lipchitz, Ethel Schwabacher, and Cy Twombly. The author documents her argument with more than sixty illustrations.
Poetics in the Poem
Focuses on poems that address issues of poetics directly, that take them as a primary subject, rather than display them merely by being the particular poem it is. Among the poets considered are Emily Dickinson, Emerson, Harlem Renaissanceers, Archibald Macleish, Karl Shapiro, Robert Lowell, Denise Levertov, Gary Snyder, and Wendell Berry. Other topics include comparisons, rhetoric, and 19th-century reflections. Annotation copyright by Book News, Inc., Portland, OR
America's Gothic Fiction
Secretary to the Salem witch trials, Cotton Mather is the most reviled of our national historians. Yet James Russell Lowell admitted that "with all his faults, that conceited old pedant contrived to make one of the most entertaining books ever written on this side of the water." In America's Gothic Fiction, Dorothy Z. Baker investigates the ways in which nineteenth-century authors Edgar Allan Poe, Harriet Beecher Stowe, and Nathaniel Hawthorne, among others, look to Mather's Magnalia Christi Americana at critical moments in their work and refashion his historical accounts as gothic fiction. Cotton Mather's 1702 Magnalia captured the imagination of its readers more than any other colonial his...
