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Contemporary Jewellery in Portugal
With Contemporary Jewellery in Portugal Cristina Filipe presents a comprehensive examination of the history of Portuguese studio jewellery from the dawn of the avant-garde in the 1960s through to the contemporary trends of the early twenty-first century. Filipe sheds light on societal upheavals as well as on the actors who helped to transform jewellery design in Portugal. For here, too -- and even under the pressure and restrictions of the Estado Novo dictatorship under António de Oliveira Salazar (1930s through to the so-called Carnation Revolution of 1974) -- artists reacted to international influences and developed their specific responses to them. Courtesy of numerous interviews with protagonists from the different generations, the author has accomplished a detailed record of developments and trends in contemporary jewellery in Portugal.
The Pastor's Wife
In Elizabeth von Arnim’s humourous novel, "The Pastor's Wife", the main character Ingeborg Bullivant goes on a spontaneous trip to Lucerne and returns engaged to a Prussian pastor. However, her new life as a wife is restrictive, and when the dashing artist Ingram comes into her life and indulges her with musings about Italy, wanderlust temps Ingeborg for a second time. This warm and witty novel is based on von Arnim’s own first marriage and will be enjoyed by fans of ‘Eat, Pray, Love’. Elizabeth von Arnim was an English novelist – a cousin of the New Zealand-born writer Katherine Mansfield – born as Mary Annette Beauchamp in Australia in 1866. She married a German aristocrat and her earliest written works are set in Germany. Von Arnim launched her career as a writer with her satirical and semi-autobiographical work ‘Elizabeth and Her German Garden’, published anonymously in 1898. Although she was known by the name May in her early life, when she began writing, her success as ‘Elizabeth’ meant that her writings were ascribed to the name Elizabeth von Arnim.
Treatise on Musical Objects
The Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.
Kojak
ANALYSE EXHAUSTIVE DES 50 SECONDES DE LA MUSIQUE DE LA SÉRIE TÉLÉVISÉE KOJAK ET SES RÉPERCUSSIONS SUR LA MUSIQUE POPULAIRE.
Die Presse Wien
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Grundlagen Des Linearen Kontrapunkts: Bachs Melodische Polyphonie
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