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The people of Taquile Island on the Peruvian side of beautiful Lake Titicaca, the highest navigable lake in the Americas, are renowned for the hand-woven textiles that they both wear and sell to outsiders. One thousand seven hundred Quechua-speaking peasant farmers, who depend on potatoes and the fish from the lake, host the forty thousand tourists who visit their island each year. Yet only twenty-five years ago, few tourists had even heard of Taquile. In Weaving a Future: Tourism, Cloth, and Culture on an Andean Island, Elayne Zorn documents the remarkable transformation of the isolated rocky island into a community-controlled enterprise that now provides a model for indigenous communities ...
Fiber artists around the world have embraced crochet as an inventive medium like never before. Expanding on the creative possibilities and using sculpture, immense site-specific installations, performance, and mixed-media objects, they have used crochet techniques to explore feminine craft and heritage, dissect gender codes, and show the primal creative expression represented by crochet. In The Fine Art of Crochet, author Gwen Blakley Kinsler looks at the art-crochet movement from 1915 onward to the crochet revolution of the 1960s, profiling twenty of the most innovative practitioners working today. Offering insight to those who may not have otherwise thought to go beyond the purely practica...
Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.
Every weaver weaves a rag rug—or two, or three. In this long-awaited book, well-known weaver and teacher Tom Knisely shares his knowledge and expertise in this collection of favorite rag rug patterns. • The first comprehensive book on weaving rag rugs in a generation • Color planning and design advice for rag rugs • Step-by-step instructions on warping and weaving for your rag rug • More than 30 rag rug projects, from simple to advanced
A revised and updated edition of a popular classic primer shares comprehensive guidelines for beginning and experienced knitters that demonstrate how to approach a full range of techniques, incorporating into the new edition the author's broadened insights from the past 25 years.
Traje, the brightly colored traditional dress of the highland Maya, is the principal visual expression of indigenous identity in Guatemala today. Whether worn in beauty pageants, made for religious celebrations, or sold in tourist markets, traje is more than "mere cloth"—it plays an active role in the construction and expression of ethnicity, gender, education, politics, wealth, and nationality for Maya and non-Maya alike. Carol Hendrickson presents an ethnography of clothing focused on the traje—particularly women's traje—of Tecpán, Guatemala, a bi-ethnic community in the central highlands. She covers the period from 1980, when the recent round of violence began, to the early 1990s, ...
"Technique reference for advanced beginner level knitting skills that incorporate multiple colors into the knitted fabric. Includes complete instructions for fifteen projects"--
A union list of serials commencing publication after Dec. 31, 1949.
In an era of global warming, war, escalating expenses, declining income, and drugs and violence in schools, many mothers feel they have little control over their families or their worlds. Nora Murphy eloquently demonstrates that many women do control one tiny thing: their next stitch. While tracing the frustrations and joys of knitting a sweater for her son through the course of one cold, dark Minnesota winter, Murphy eloquently brings to life the traditions and cultures of women from many backgrounds, including Hmong, American Indian, Mexican, African, and Irish. Murphy’s personal stories — about her struggles to understand esoteric knitting patterns, her help from the shaman of the knit shop, and her challenges sticking with an often vexing project — will appeal to knitters as well as everyone else who has labored to create something from scratch.
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