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Doshor Magazine - Narir Ontore O Bahire Prathom borsho Pratham Sankha
Taming the Oriental Bazaar examines the public market-hall as a key architectural feature of colonial South Asia. Representing a transition in the architectural programme, these buildings were meant to be monuments and markers of modernity in South Asia. The book: Explores how market-halls became an essential feature of colonial settlements from the mid-nineteenth through the mid-twentieth centuries Discusses public health policies and legislations central to the concerns of market-hall sanitation Reviews the elements of modernity, including institutions and systems established in the nineteenth century as India went from Company to Crown Studies the specific circumstances and histories of market halls in the towns and cities of Bengaluru, Vadodara, Mumbai, Kolkata, Hyderabad, Karachi, Lahore, Chennai, Pune, and others A key text in the study of colonial architecture, this book will be of interest to students, researchers as well as general readers of architecture, colonialism, history of architecture, history of medicine, public health, urbanism, and South Asian studies.
This book focuses on the regional political ecologies (RPEs) of environmental conflicts in India. It explores broadly, landscape-based analyses of political, economic and social issues, which impact environmental changes, challenges and conflicts at local and micro-local levels. The chapters in this volume examine the intervention of different stakeholders in the management of various regional ecological landscapes in India, including forests, rivers, canals, creeks and wetlands. The volume is an interdisciplinary endeavour, weaving together contextual narratives through a combination of approaches from sociology, anthropology, geography, political studies and environmental history. Using su...
This book focuses on Kolkata, formerly the colonial capital of and currently a major megacity in India, in terms of its extensive blue infrastructures, i.e., its rivers, canals and wetlands as an integrated composite whole. It unfolds ways in which this reclaimed urban space could determine, and in turn, could get determined by political fate, economic calculations and social livelihoods across changing political-economic imperatives and with large-scale implications on urban sustainability. Employing historical urban political ecology (HUPE) as the methodological framework by combining urban environmental history and urban political ecology, the book studies the changing urban environmental...
The Gravity of Hope is a non-fictional account of women’s lives who sometimes endured, often resisted and ultimately coped with marital violence as best as they could in an informal settlement in northeastern Mumbai. It uses anthropological methods and two decades of research-driven insights to analyse the role of gender, marriage, structural violence, family, informal and legal institutions in tackling wife abuse in India. In conclusion, there are many reasons why domestic violence in India continues unabated; the most important is the social norm that views marriage as the primary, and often the only, path to securing women’s financial futures.
As its name suggests, this book has viewed certain social practices, beliefs and phenomena from a gender perspective—perspectives of the male, female and the third gender. Since there are essential differences between the ways the people of different sexual categories—those whose orientations match with their sex assigned t\at birth and those whose do not—are socialized and trained, people develop different perspectives of the same social phenomenon and react accordingly. Furthermore, they experience the same things as poverty and natural calamities, for example in different ways. This is not to say that gender identities are not wrought by class/caste and other socially produced differences. The volume explores and questions the different forms that the gender differences, twisted by class/caste and rural/urban divides, take. It exposes the different ways in which gender difference affect our known world of family, health care, political rights, rapidly changing economic environment and entertainment, as also the lesser known world of folk lore and tribal land rights.
The dreamers of building up a democratic polity in our country drafted a constitution to come into effect after the attainment of long-cherished independence. India's Constitution was designed after the western model of liberal democracy. It is a representative democracy where the ability of the elected representatives to exercise decision-making power is regulated by the rule of law. Liberal democracy is committed to the protection of the rights and freedoms of individuals. Indian Constitution incorporated fundamental rights, justice, liberty, equality, and tolerance between and among widely differing political views and maintaining social and political pluralism, which are essential ingredients of a liberal democracy. The shamelessness of most Indian politicians happens to be the shackles to the growth of Indian politics on the democratic track worth the name.
Written over the years, 16 Frames is a collection of 16 critical articles on cinema analyzing the different trends and intertextualising cinema with the other art forms. The short and crisp articles are multilayered to raise the curiosity of the reader and are likely to fascinate her with the originality of the subjects dealt with. As award-winning film critic Shoma A. Chatterji comments – ‘the book reads on, like a river, sometimes placid, sometimes turbulent, flowing through the reader’s mind, through the films one has certainly watched and films one has never seen and is never likely to see.’
পশ্চিমবঙ্গের সংগ্রহশালাগুলি ঘুরে ঘুরে তার ইতিহাস ও রক্ষিত সংগ্রহের পুঙ্খানুপুঙ্খ বিবরণ এই গ্রন্থে তুলে ধরেছেন অরুণ মুখোপাধ্যায়। উত্তরবঙ্গ, দক্ষিণবঙ্গের প্রতিটি জেলার সংগ্রহশালা পরিক্রমা করতে গিয়ে তিনি যে অভিজ্ঞতার সম্মুখীন হয়েছেন তাও এতে লিপিবদ্ধ করেছেন...
অবনীন্দ্রনাথ কি শুধুমাত্র অলোকসামান্য শিল্পী? অথবা, ভারতীয় চিত্রকে মেঠোপথ থেকে রাজপথে পৌঁছে দিয়েছেন বলে স্মরণীয়? না-কি চিত্রকলায় অভিনব আঙ্গিকের আবিষ্কারক, শিষ্যদের অন্তরে শিল্পের সার্থক বীজরোপণ করেছিলেন – সেই কারণে তাঁকে মনে রাখবো! অবন ঠাকুরের ‘ভারতমাতা’ আধুনি...