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Trans-Allegheny Pioneers is, without a doubt, one of the most celebrated accounts of life on the Virginia frontier ever written. The author's focal point is the region of the New River-Kanawha in present-day Montgomery and Pulaski counties, Virginia. This is essential reading for anyone interested in frontier history or the genealogies of mid-18th century families who resided in the Valley of Virginia.
Bringing together leading scholars, critics, and theatre practitioners, this collection of essays is devoted to 'The History of Cardenio', a play based on Don Quixote and said to have been written by Shakespeare and the young man who was taking his place, John Fletcher.
Goldie skillfully reveals the ambivalence of white writers to indigenous culture through an examination of the stereotyping involved in the creation of the image of the "Other." The treacherous "redskin" and the "Indian maiden," embodiments of violence and sex, also evoke emotional signs of fear and temptation, of white repulsion from and attraction to the indigene and the land. Goldie suggests that white culture, deeply attracted to the impossible idea of becoming indigenous, either rejects native land claims and denies recognition of the original indigenes, or incorporates these claims into white assertions of native status. After comparing the works of Canadian author Rudy Wiebe and Australian author Patrick White, Goldie concludes by linking the results of his literary analysis to wider cultural concerns, particularly land rights. He shows that literary views of natives, both positive and negative, emphasize the same charac-teristics and he suggests that escape from this limited vision may open the door to solving the problems of native sovereignty.
This collection of essays explores the significance of modern chaos theory as a new paradigm in literary studies and argues for the usefulness of borrowings from one discipline to another. Its thesis is that external reality is real and is not merely a social construct. On the other hand, this volume reflects the belief that literature, as a social and cultural construct, is not unrelated to that external reality. The authors represented here furthermore believe that learning to communicate across disciplinary divides is worth the risk of looking silly to purists and dogmatists. In applying a contemporary scientific grid to a by-gone era, the authors play out Steven Weinberg's exhortation to...
Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Dedication Page -- Contents -- General Editor's Preface -- 1 The Nature of Melodrama -- 2 Triumph -- The Pattern -- Variations -- Developments -- A Defence -- 3 Defeat -- 4 Protest -- Bibliography and Acknowledgements -- Index of Proper Names -- Index of Titles
This book explores literary culture in England between 1630 and 1700, focusing on connections between material, epistemic, and political conditions of literary writing and reading. In a number of case studies and close readings, it presents the seventeenth century as a period of change that saw a fundamental shift towards a new cultural configuration: neoclassicism. This shift affected a wide array of social practices and institutions, from poetry to politics and from epistemology to civility.
These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession.
The first full-scale biography of prolific writer Alice Adams, whose celebrated stories and bestselling novels traced women’s lives and illuminated “an era characterized both by drastic cultural changes and by the persistence of old expectations, conventions, and biases” (The New Yorker). “Nobody writes better about falling in love than Alice Adams,” a New York Times critic said of the prolific writer. Born in 1926, Alice Adams grew up in Chapel Hill, North Carolina, during the Great Depression and came of age during World War II. After college at Radcliffe and a year in Paris, she moved to San Francisco. Always a rebel in good-girl’s clothing, Adams used her education, sexual an...