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UNIFESSPA + 10
O I CIIETU foi uma semana de socialização entre toda a comunidade do Campus Xinguara, havendo o intercâmbio de saberes com as áreas que compõem o IETU e possibilitando, ao mesmo tempo, a realização de debates internos de cada faculdade. Além disso, o Congresso se revelou como um espaço de sociabilidade e lazer entre discentes, técnicos e técnicas, e os professores e professoras do Instituto, que confraternizaram o aniversário de 10 anos da UNIFESSPA. Prof. Dr. Rafael Benevides de Sousa (Diretor da Faculdade de Geografia) Ao congregar, de forma inédita, as faculdades de História, Geografia, Medicina Veterinária e Zootecnia do Campus Xinguara, somadas ao Programa de Pós-GraduaÃ...
Islands of Voices
Douglas Oliver (1937-2000) was a poet with a substantial reputation in the late 1980s and 1990s, finding a larger audience for his socially-committed poetry in a way that no other of his poetic background had done, or perhaps wished to do. He left school early, and worked for many years as a journalist - in Cambridge, Paris, and Coventry - before attending the University of Essex as a mature student in the 1970s. In this period he was associated with the so-called Cambridge School of poetry, and his work was published by its representative publishers, Ferry Press and Grosseteste Review Editions. He subsequently lived in Paris, New York, and then again in Paris, usually working as a lecturer. He was the author of numerous books of poetry and prose, including Oppo Hectic, The Diagram Poems, The Harmless Building, The Infant and the Pearl, Kind, Penniless Politics, A Salvo for Africa, and the posthumous volumes, Arrondissements and Whisper 'Louise'. At the time this volume was compiled all of his poetry was out of print, making this retrospective survey all the more important.
Angels the Size of Houses
"This poetical collection, Angels the Size of Houses (70-plus sheets of cool and frantic paginated speech) is a buzzing and hyper-inventive set of multifarious devices, with exceptional prosodical hazardry and multiple re-echoes along its spacious corridors - with many doorways for we and us open to its flaring physiological recitatives. The passage construction is familial and domestic in tone-row, while also widely outlandish, saltarello-style and stylish also with it. There are culinary hints and self-displays in great lexical abundance to whet the whistle, with phantasm and modest astonishments in witty comedy, escaping grandeur but never remote from scalar enlargements, often wisely gno...
Les Chimeres
None
The Language Creatures
Isobel Thrilling was born in Suffolk, and brought up in a mining village in the north-east of England; she read English at Hull University and spent many years as Head of Service for teaching English as a Second Language in a London borough. She first started writing after eye-operations that saved her sight. She is married, with a son, a daughter and two grandchildren. She has been widely published in magazines and newspapers, and her work has been included in many anthologies from publishers such as O.U.P, Longman, Hodder Headline and Macmillan. Her poems have been broadcast on BBC Television, ITV; and BBC Radio 3 and 4. She has won many prizes including those at Bridport, Stroud and York. One of her poems has been set to music by the pianist and composer Philip Martin. Several have been used by a calligrapher living in California. "The Language Creatures" is her fourth collection.
Regulations, Institutions, and Economic Performance
The private delivery of infrastructure can fail in the absence of adequate background institutions, which may need to be fostered before a credible regulatory system can be put in place.
Chocolate Che
The poems in Chocolate Che were written in Cuba in the fiftieth year of the revolution; in India working with dying destitutes and recovering from tuberculosis; travelling up and down the spine of the Americas and into the heart of Europe on the trail of soldiers, artists and monks. Damian Furniss works images into narratives that are both darkly humorous and strangely moving. Using forms as varied as their subjects, with characteristic verbal intensity and a probing wit, he returns to the fixations of his youth in wry but reflective maturity. Along the way, he encounters the Dalai Lama and Mother Teresa; visits the houses of Pablo Picasso and Salvador DalÃ, only to find no one's at home; and collects the stubs of cigars that might once have been smoked by Che Guevara and Fidel Castro, but probably weren't.
Three Books
This book brings together three interconnected works from the 1970s, showcasing how three of the most significant figures in radical British poetry of the late 20th century responded to one another's work.
