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How to Survive a Killer Musical
When the young composer-lyricist Douglas Cohen first secured the musical rights to the novel No Way to Treat a Lady by William Goldman—the acclaimed author of The Princess Bride and Marathon Man—he hoped it would be his big break, the first step on a gilt path to artistic triumph and commercial success in the form of a hit Broadway musical. What happened after that, while memorable, was anything but. How to Survive a Killer Musical chronicles Cohen's decade-long quest to bring that musical to the stage—writing, re-writing, and shepherding it across the US and Europe amidst all manner of adversity and plain rotten luck. It's a fascinating portrait of passion, persistence, and resilience...
The Gig
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Hearings
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Hearings
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Hearings
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What the #@&% Is That?
"Fear of the unknown--it is the essence of the best horror stories, the need to know what monstrous vision you're beholding and the underlying terror that you just might find out. Now, twenty authors have gathered to ask--and maybe answer--a question worthy of almost any horror tale: "What the #@ & % is that?"Join these masters of suspense as they take you to where the shadows grow long, and that which lurks at the corner of your vision is all too real"--Amazon.com.
A History of Surgical Paediatrics
This book provides an authoritative overview of the global development of surgical paediatrics. Biographical accounts of key people who developed this relatively new specialty, many of whom are now household names, are presented. The compendium also acknowledges the enormous contribution of imaging (ultrasound/MRI and PET scans), minimal invasive surgery, and fetal surgery, as well as the role of related journals and associations, in the progress of surgical paediatrics.
Dramatising Disaster
The imagining of disaster has intensified across a wide range of media entertainment formats and genres in recent years and themes of disaster are regularly deployed in fictional films, television drama series, drama-documentaries, comic books and video games. This being the case, it is therefore vital that film and media scholars pay attention to the ways in which disaster is presented to us, to the figurative strategies employed, to the representational history of disaster in media, to the metaphorical resonances of disaster themes, and even to the ways in which entertainment media texts might be understood as part of a broader discourse of disaster within certain historical and cultural c...
