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John Richardson's riveting memoir about growing up in England and, at twenty-five, beginning his twelve-year adventure with the controversial art collector Douglas Cooper. With a new introduction by Jed Perl, here is John Richardson's richly entertaining memoir of his life with the brilliant but difficult British art expert Douglas Cooper--a fiendish, colorful, Evelyn Waugh-like figure who single-handedly assembled the world's most important private collection of Cubist paintings. John Richardson tells the story of their ill-fated but comical association, which began in London in 1949 when Richardson was twenty-five and moved onto the Château de Castille, the famous colonnaded folly in Prov...
Cubism has been one of the most important and influential movements in twentieth-century art. In the eight years between 1906 and 1914, Cubism, and in particular Pablo Picasso and Georges Braque, were to change the technique and form of painting radically and for ever. Originating in Paris, the movement became a truly international force, and one with a profound impact on human visual experience. This book, illustrated with over 300 photographs, presents a vivid evocation of Cubism as a historic and aesthetic force. Copyright © Libri GmbH. All rights reserved.
These lives converge in a surreal, labyrinthine narrative, building up to the novel's climax: the dance of death between the man who has destroyed the public space - the modern architect - and the man who has destroyed the private - the invasive biographer.
A stranger enters the city archives, corners a librarian, and begins to tell him a story. The librarian is supposed to be married in four hours' time, but the stranger compels him to listen. Many hours later he is still listening, and still unmarried. The stranger's name is Izzy Darlow, and the story revolves around his fractured family and their obsessions. The family home is a labyrinth. His older brother, Aaron, conducts secret and increasingly perilous experiments in his attic bedroom. His younger brother, Josh, who speaks with a lisp but sings like an angel, wanders the streets at night consumed by visions of destruction. Izzy's own place in this curious family is complicated by disturb...
International Book Award, USA Book News Award and IPPY Award Winner! From Memorial Day until the student workers and tourists leave in the fall, the island community of Put-In-Bay, Ohio, thrives on alcohol, drugs, sexual experimentation, and any other means of forgetting responsibilities. To Brad Shepherd—recently forced out of his job as a junior high math teacher after the overdose death of a student—it’s exactly the kind of place he’s looking for. Allured by the comfort and acceptance of the hedonistic atmosphere, Brad trades his academic responsibilities and sense of obligation for a bouncer’s flashlight and a pursuit of the endless summer. With Cinch Stevens, his new best frie...
Juice Tallette believes her latest creation holds great promise for humanity, yet she hesitates to release him into the world. That
This study looks at the artists, designers and writers who formed the Independent Group in the early 1950s including such influential figures as Richard Hamilton, Eduardo Paolozzi, Nigel Henderson, William Turnball, Rayner Banham and Alison and Peter Smithson. As a group they aimed to raise the status of popular objects and icons within modern visual culture. The development of the Independent Group is mapped out against the changing nature of modernism during the Cold War era, as well as the impact of mass consumption on post-war British society. In this book, Massey examines the cultural context of the formation of the Group, covering the founding of the Institute of Contemporary Arts in London, the meanings of modernism, and the creation of a national identity. Key exhibitions such as "Parallel of Life and Art" and "This Is Tomorrow" are also examined.