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NOW A MAJOR NETFLIX FILM 'One of the masterpieces of twentieth-century world literature' Susan Sontag With an Introduction by Gabriel García Márquez A new translation by Douglas J. Weatherford From one of the most famous and influential Mexican writers, and the father of magical realism, this novel is a stunning masterpiece of the surreal. Juan Preciado sets out on a strange quest, bound by a promise to his dying mother. Embarking down a parched and dusty road, Juan goes to seek his father, Pedro Páramo, from whom they fled many years ago. The ruined town of Comala is alive with whispers and shadows. Time shifts from one consciousness to another in a hypnotic flow of desires and memories, a world of ghosts dominated by the tyranny of the Páramo family. Womaniser, overlord and murderer, Juan's notorious father retains an eternal grip over Comala. Its barren and broken-down streets echo the voices of tormented spirits sharing the secrets of the past in an extraordinary chorus of sensory images, violent passions and unfathomable mysteries.
This work presents Juan Rulfo's cinematic second novel in English for the first time ever alongside several stories never before translated.
Beseeched by his dying mother to locate his father, Pedro Paramo, whom they fled from years ago, Juan Preciado sets out for Comala. Comala is a town alive with whispers and shadows--a place seemingly populated only by memory and hallucinations. 49 photos.
In 2015, Benjamin Villegas traveled to Texas in an attempt to write the biography of a music group that could have changed the history of rock: ELPASO, a Chicano band from the U.S.-Mexico border with a punk sensibility, a long since-defunct crew, and little left to remember it by but a suitcase of fanzines and one-off recordings. This is the story of one of the many bands that will never appear in rock n’ roll history books, but is at the core of the scene; a band that earned its stripes from sweaty fans and self-taught rock aficionados in basements, garages, and small venues across the country. This is the story of two kids who came together to embrace the punk ethos of the 80’s and be a part of the rock n’ roll revolution sweeping the US, a world of the Ramones, Black Flag, and, of course, ELPASO.
Though primarily known for his haunting, enigmatic novel Pedro Páramo and the unrelenting depictions of the failures of post-revolutionary Mexico in his short story collection, El Llano en llamas, Juan Rulfo also worked as scriptwriter on various collaborative film projects and his powerful interventions in the area of documentary photography ensure that he continues to inspire interest worldwide. Bringing together some of the most significant names in Rulfian scholarship, this anthology engages with the complexity and diversity of Rulfo’s cultural production. The essays in the collection bring the Rulfian texts into dialogues with other cultural traditions and techniques including the Ja...
Welcome to Midland is a queer coming-of-age narrative in verse set against the backdrop of conservative small-town Texas. These linked poems explore the cultural and natural history of West Texas (from the horned lizard to dirt storms to Laura Bush’s car accident), connecting events and movements from across eras to create a tenuous yet strong sense of place. Giving voice to secrets and silence, Welcome to Midland considers identity, community, family, and legend.
The heartbreaking final volume in Sergio Pitol's groundbreaking memoir-essay-fiction-hybrid Trilogy of Memory, which won him the prestigious Cervantes Prize, finds Pitol boldly and passionately weaving fiction and autobiography together to tell of his life lived through the written word as a way to stave off the advancement of a degenerative neurological condition causing him to lose the use of language.
In this four-story suite, a modern master of Italian literature delves into the wonder, grotesquery, strangeness, and desire of the human condition. Combining and distorting elements of fables, fairy tales, and the alienating force of society, each of Moresco’s stories features the central character at a different time of his life: childhood, adolescence, young adulthood. In these beautiful and unsettling narratives, a vivid physical world can’t hide the strangeness of surroundings and the dream-like logic governing events. In “Blue Room,” the adolescent protagonist carries on a voyeuristic relationship with a blind old woman in a mysterious clinic. In the title story, a stunning act of violence deepens the nightmarish tones and the protagonist’s disorientation. Moresco’s stories, full of bodily parts, functions, and desires, present a world where physical curiosity competes with shame, and the price of watchfulness is the secrecy and loneliness of isolation.
In this debut collection of poetry, the obscure and mundane collide, a fricassee of movement, the cosmopolitan, and intimacy. A Boy in the City uses poems as pillars to interrupt and excavate an interiority that unfolds and interrogates grim thoughts and intimacy. Yarberry weaves a sexy, glitzy journey through their city, where the speaker can “pose” and “compose” in a “trans way, of course.” Clever in its playful allusions to Greek myths, William Blake, and other literary figures, A Boy in the City is a distinct work of joy and liberation that reckons with the language of gender and desire.
In The Outlaw Jón Gnarr describes the harsh world of his teenage years and wrestles with painful, bleak memories of this troubled stage of his life, physically abused and surrounded by suicides. He uses punk music to cope, but also discovers an interest in girls and ponders philosophical questions of right and wrong and how to be true to himself.