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For over twenty years Douglas Berger has advanced research and reflection on Indian philosophical traditions from both classical and cross-cultural perspectives. This volume reveals the extent of his contribution by bringing together his perspectives on these classical Indian philosophies and placing them in conversation with Confucian, Chinese Buddhist and medieval Indian Sufi traditions. Delving into debates between Nyaya and Buddhist philosophers on consciousness and identity, the nature of Sankara's theory of the self, the precise character of Nagarjuna's idea of emptiness, and the relationship between awareness and embodiment in the broad spectrum of Indian thought, chapters exhibit Ber...
First published in 1984, Cultural Analysis is a systematic examination of the theories of culture contained in the writings of four contemporary social theorists: Peter L. Berger, Mary Douglas, Michel Foucault, and Jürgen Habermas. This study of their work clarifies their contributions to the analysis of culture and shows the converging assumptions that the authors believe are laying the foundation for a new approach to the study of culture. The focus is specifically on culture, a concept that remains subject to ambiguities of treatment, and concentrates on questions concerning the definition and content of culture, its construction, its relations with social conditions, and the manner in which it may be changing. The books demonstrates how these writers have made strides towards defining culture as an objective element of social interaction which can be subjected to critical investigation.
Neil Young and Philosophy, edited by Douglas L. Berger, explores the meanings, importance, and philosophical dimensions of the music, career, and life of this prolific singer/songwriter over the past five decades. Neil Young’s music has touched on a broad range of cultural, political and personal issues, all of which have enormous ongoing relevance for our own times. In order to accommodate Young’s artistic breadth, contributions of scholars from a wide variety of fields-- American philosophy, ethics, American Indian philosophy, feminist philosophy, psychology, philosophy of mind and religious studies--are included in this collection. They examine everything from Young’s environmentalism, invocation of American Indian themes, images of women, and interpretations of human relationships to his confrontations with the music industry, his experiments with recording technologies, his approach to social change, and his methods of creativity. The book builds on the fundamental commitment of the Philosophy and Popular Culture series to see the artist as a philosopher.
Explores the interpretive problems, complexities, and legacies of Schopenhauer’s encounter with ancient India.
A variety of crucial and still most relevant ideas about nothingness or emptiness have gained profound philosophical prominence in the history and development of a number of South and East Asian traditions—including in Buddhism, Daoism, Neo-Confucianism, Hinduism, Korean philosophy, and the Japanese Kyoto School. These traditions share the insight that in order to explain both the great mysteries and mundane facts about our experience, ideas of "nothingness" must play a primary role. This collection of essays brings together the work of twenty of the world’s prominent scholars of Hindu, Buddhist, Daoist, Neo-Confucian, Japanese and Korean thought to illuminate fascinating philosophical c...
It is hoped that this book will recreate an interest in Schopenhauer’s philosophy in India and abroad with a new perspective. There is a recent revival of Schopenhauerism or at least a rediscovery of certain very original and fundamental ideas of Schopenhauer in the contemporary academic world. Schopenhauer has been rightly described as a â€Âbridge’ between Western and Indian philosophy. In this regard Prof Kossler (President of Schopenhauer Gesellschaft) writes, â€ÂI think in his (Schopenhauer’s) thinking lies a way of bridging cultural differences but that requires a thorough investigation of the relations between the two, which can only be carr...
Peter L. Berger on Religion provides an overview and critical assessment of the work of one of the most influential sociologists of the 20th century. Situating Berger’s writings on religion and secularisation in the broader framework of social constructionism, the book argues that neither he nor the research influenced by him consistently followed the constructionist paradigm. This assessment is informed by a close examination of The Sacred Canopy (1967), in particular. The volume also offers a Berger‐inspired constructionist framework for the study of religion. This book is an excellent resource for students and researchers interested in the intersection of religion and social theory.
Nāgārjuna is the most influential of all Buddhist thinkers following the Buddha himself. Throughout his works, Nāgārjuna calls on us to completely abandon all our views. But how could anyone possibly do that? This book shows not only how Nāgārjuna's truly radical teaching of "abelief" makes perfect sense within his Buddhist philosophy, but how it stands at the summit of his religious mission to care for all living beings. Rather than treating any one aspect of Nāgārjuna's ideas in isolation, here he emerges as forging a single system of thought and practice, one that challenges the very ways in which we think about religion and philosophy.
In a letter from May 10, 1852, to Adam von Doß, Arthur Schopenhauer declared himself to be a Buddhist. From 1825 until his death, he never stopped searching for more information on Buddhism, with his thirst for knowledge of it growing over time. Schopenhauer’s Buddhism: A Historical-Philosophical Inquiry is the first study to do justice to Schopenhauer’s passion for Buddhism, reconstructing the notions of Buddhism he acquired through his readings on Buddhism as well as their influence on his thought. Laura Langone examines what Buddhism meant for Schopenhauer, what kind of Buddhism Schopenhauer had in mind, and how Buddhism shaped his philosophy. This book examines how the assimilation of Buddhist tenets through his Buddhist sources led him to incorporate the Buddhist concept of palingenesis into his philosophical system, which introduced a radically new metaphysical framework. Ultimately, Schopenhauer’s incorporation of Buddhist palingenesis illustrates how Buddhism deeply spurred him to develop new and innovative ideas previously unthinkable in Western philosophy.
A collection of essays exploring the philosophical elements present in Neo-Noir films. Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood’s best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat lo...