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Europe on 5 Wrong Turns a Day
Prepare to Get Lost on the Beaten Path... When Doug Mack picked up a 1963 edition of Europe on Five Dollars a Day, he stumbled on an inspired idea: to boldly go where millions have gone before, relying only on the advice of a travel guide that's nearly a half century out-of-date. Add to the mix his mother's much- documented grand tour through Europe in the late 1960s, and the result is a funny and fascinating journey into a new (old) world, and a disarming look at the ways the classic tourist experience has changed- and has not-in the last generation. After a whirlwind adventure spanning eight countries-and costing way more than five dollars a day-Mack's endearing account is part time travel, part paean to Arthur Frommer's much-loved guide, and a celebration of the modern traveler's grand (and not-so-grand) tour.
Edinburgh Companion to James Hogg
James Hogg (1770-1835) is increasingly recognised as a major Scottish author and one of the most original figures in European Romanticism. 16 essays written by international experts on Hogg draw on recent breakthroughs in research to illuminate the contexts and debates that helped to shape his writings. The book provides an indispensable guide to Hogg's life and worlds, his publishing history, reception and reputation, his treatments of politics, religion, nationality, social class, sexuality and gender, and the diverse literary forms - ballads, songs, poems, drama, short stories, novels, periodicals - in which he wrote.
Scottish Fiction and the British Empire
Douglas Mack argues that non-elite, 'subaltern' Scottish writers actively challenged the elite's Imperial Grand Narrative and demonstrates that Scottish fiction was active and influential both in shaping and in subverting the assumptions that underpinned the Empire.
The Collected Works of James Hogg: A series of lay sermons
re-positioning at the centre of nineteenth-century Scottish literary-critical scrutiny over the past few years.' Susan Manning, Eighteenth-Century Scotland --Book Jacket.
The Three Perils of Woman
Commentators once dismissed Perils of Woman as a bad book because it trampled on the flowerbeds of early-nineteenth-century decorum; they now acclaim it a masterpiece for the very same reason, reading subversive craft in the place of oafishness.' Ian Duncan, Studies in Hogg and his World'Both stories of The Three Perils of Woman] are generically diverse, self-consciously impure. Hogg described them as 'domestic tales', apparently soliciting a female readership whose delicacy he then assaults with speculations about promiscuity and prostitution, and with prayers so chattily informal that reviewers found them blasphemous. Both stories modulate suddenly from comedy to tragedy, though one - but which?- struggles through to what may be a happy ending. ...] What matters about The Three Perils of Woman is not the conclusions it has to offer about the issues it raises, but the fact that these are addressed with such painful urgency. They have become urgent once again, and will continue to be so; and if
The Collected Letters of James Hogg, Volume 3, 1832-1835
The third and final volume of the first collected edition of Hogg's letters reveals his versatility in old age. It contains an index to all three volumes of Hogg's letters.
Queen Hynde
The letters of Joseph Symson give us a glimpse into the life of an inland merchant who was also a member of England's urban elite. This text details his responses to the political, economic, and religious uncertainties of the early 18th century.
The Collected Letters of James Hogg: 1800-1819
The first ever edition of Hogg's letters to be published, featuring Hogg's correspondence with figures such as Sir Walter Scott, Lord Byron and Sir Robert Peel.
The Queen's Wake
This volume is edited by Douglas S. Mack and contains an Essay on the Illustrations by Meiko O'Halloran and a Glossary by Janette CurrieThe Queen's Wake is one of the landmarks of British Romantic poetry. It focuses on the return of Mary, Queen of Scots to Scotland in 1561 to take personal rule of her kingdom after her years in France. In the poem poets and bards hold a poetic competition (a 'wake') in Holyrood Palace to welcome the Queen home. In the descriptions of the songs and the people who sing them various Scottish poets of Hogg's own period can be recognised, giving the reader a sense of the condition of poetry in Hogg's Scotland.Another key concern of the poem is the state of Scotland in 1561 - a crucial period in Scottish history, coming a year after the legislation was passed that brought in the Scottish Reformation. The Queen's Wake looks back to the pre-1560 world of Catholic Scotland and explores the tensions between that old world and an emerging modernity.When The Queen's Wake was pu
