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The Romantics and the May Day Tradition
This important contribution to both Romantic and cultural studies situates literature by Wordsworth, Southey, Hunt, Clare, and Blake within the context of folklore and popular customs associated with May Day. Romantic responses to May Day bring into focus a range of issues now regarded as central to the writing of the period – the natural world, city life, the pastoral, regional and national identities, popular culture, cultural degeneration, and cultural difference. Essaka Joshua explores new connections between these issues in the context of a set of heterogeneous cultural practices that are rooted in the traditions and activities of diverse social groups. She shows how Romantic writers ...
Mary Shelley: Frankenstein
Frankenstein is one of the most popular novels from the Romantic period. This accessible study, written by a specialist in Romantic literature, examines Frankenstein within its literary and philosophical contexts. It looks closely at the range of genres from which the novel emerged, offering textual analysis of key passages from this and related texts. There is a summary of criticism on the novel, a discussion of the historical background, and a wide-ranging exploration of the literary sources. The study focuses on the moral questions that arise from the novel, investigating the range of questions that Shelley raises and offering an analysis of her answers.
The Moonstone
Who, in the name of wonder, had taken the Moonstone out of Miss Rachel's drawer? A celebrated Indian yellow diamond is first stolen from India, then vanishes from a Yorkshire country house. Who took it? And where is it now? A dramatist as well as a novelist, Wilkie Collins gives to each of his narratorsa household servant, a detective, a lawyer, a cloth-eared Evangelical, a dying medical manvibrant identities as they separately tell the part of the story that concerns themselves. One of the great triumphs of nineteenth-century sensation fiction, The Moonstone tells of a mystery that for page after page becomes more, not less inexplicable. Collins's novel of addictions is itself addictive, moving through a sequence of startling revelations towards the final disclosure of the truth. Entranced with double lives, with men and women who only know part of the story, Collins weaves their narratives into a web of suspense. The Moonstone is a text that grows imaginatively out of the secrets that the unconventional Collins was obliged to keep as he wrote the novel.
Duns Scotus
Focusing on what is distinctive in his thought, and on issues where his insights might prove to be of perennial value, this is an accessible account of Duns Scotus's theology.
Literature and Medicine
Offers an authoritative account of literature and medicine at a vital point in their emergence during the eighteenth century.
The Cambridge Companion to Literature and Disability
Working across time periods and critical contexts, this volume provides the most comprehensive overview of literary representations of disability.
Physical Disability in British Romantic Literature
This book provides new period-appropriate concepts for understanding Romantic-era physical disability through function and aesthetics.
Secondary Heroines in Nineteenth-Century British and American Novels
Taking up works by Samuel Richardson, James Fenimore Cooper, Sir Walter Scott, and Catharine Maria Sedgwick, among others, Jennifer B. Camden examines the role of female characters who, while embodying the qualities associated with heroines, fail to achieve this status in the story. These "secondary heroines," often the friend or sister of the primary heroine, typically disappear from the action of the novel as the courtship plot progresses, only to return near the conclusion of the action with renewed demands on the reader's attention. Accounting for this persistent pattern, Camden suggests, reveals the cultural work performed by these unusual figures in the early history of the novel. Beca...
John Clare's Religion
Addressing a neglected aspect of John Clare's history, Sarah Houghton-Walker explores Clare's poetry within the framework of his faith and the religious context in which he lived. While Clare expressed affection for the Established Church and other denominations on various occasions, Houghton-Walker brings together a vast array of evidence to show that any exploration of Clare's religious faith must go beyond pulpit and chapel. Phenomena that Clare himself defines as elements of faith include ghosts, witches, and literature, as well as concepts such as selfhood, Eden, eternity, childhood, and evil. Together with more traditional religious expressions, these apparently disparate features of C...
