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Music and the Modern Condition: Investigating the Boundaries
Two crucial moments in the formation and disintegration of musical modernity and the musical canon occurred at the turn of the seventeenth and the first half of the twentieth century. Dr Ljubica Ilic provides a fresh and close look at these moments, exploring the ways musical compositions shift to and away from ideological structures identified with modernity. The focus is on European art music whose grand narrative, defined by tonality and teleological development, begins in the seventeenth century and ends with twentieth-century modernisms. This particular musical "language game" coincides with historical changes in the phenomenological understanding of space and selfhood. A key concept of...
Who's who in Canada
An illustrated biographical record of leading Canadians from business, the professions, government, and academia.
Jadranska straža
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Challenging The City Scale
Since 2014, the Human Cities network has been working on Challenging the City Scale: a pan-European project led by Cité du design Saint-Étienne and supported by the Creative Europe programme to question the urban scale and investigate co-creation in cities. The Human Cities partners have carried out urban experimentations in 11 European cities empowering citizens to rethink the spaces in which they live, work and spend their leisure time. Through conversations with people involved, the book examines how bottom-up processes and their design, tools and instruments generate new ideas to reinvent the city. It offers inspiration and insights to everyone, from practitioners and politicians to designers and active citizens, eager to try out new ways to produce more human cities together.
LABOUR CAMP JASENOVAC
The Ustasha camp in Jasenovac is a sensitive historical theme, which still provokes strong political conflicts more than 70 years after the closure of the camp. During the time of the second Yugoslavia, the camp was made into a myth and one of the main levers for disciplining the society of the time. The Communist Party imposed the number of 700,000 victims and an exaggerated view of the alleged crimes and methods of killing inmates. The aim was to present itself as sole guarantor of security, because in the case of its "reigning-in", the fratricidal war would happen again, with Jasenovac as its main symbol. Before 1990, an attempt to point out the absurdity of the 700,000 alleged victims of Jasenovac entailed going to prison or compulsory psychiatric treatment. The documents referenced in this book indicate the need to continue with research of the Jasenovac camp and that in a democratic atmosphere, as far as possible, its realistic historical picture may be reached.
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