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Documentation and Preservation of Folk Culture of Bidar District. The book is the result of much research on the topic; this book makes a valuable addition to the corpus of information on the great Folk art and artisans of Bidar and their contribution to Bidar district. It attempt to bring to light aspects of the folk literature, arts, artisans, songs, theatre, Medicine, religion ,beliefs as well as the historical context in which such writing emerged. This book has thus highlighted not just the folk culture of Bidar, but its significance in the society of the time and later, for the pointed out the Preservation policies for folk culture in Bidar. The book brought to light the range of Folklore of Bidar and translated many Kannada work into English for helpful to new researcher, scholars and writers. This book will helpful to write the subaltern and local history
EduGorilla Publication is a trusted name in the education sector, committed to empowering learners with high-quality study materials and resources. Specializing in competitive exams and academic support, EduGorilla provides comprehensive and well-structured content tailored to meet the needs of students across various streams and levels.
EduGorilla Publication is a trusted name in the education sector, committed to empowering learners with high-quality study materials and resources. Specializing in competitive exams and academic support, EduGorilla provides comprehensive and well-structured content tailored to meet the needs of students across various streams and levels.
"Bidri ware is known only in India and takes its name from the city of Bidar in the Deccan. The V & A's collection, much of it illustrated here for the first time, is one of the richest in the world. It ranges from the finely decorated 17th century pieces, individually commissioned by wealthy patrons, to the plainer examples made for the mass market. The collection also provides a major source of documentation for the various 19th century centres, whose products had enormous popularity at the great international exhibitions from 1851 onwards, and were imported by Liberty's of Regent Street." - book jacket.
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Three informers. Murky bylanes that hold the key to deadly terror plots. The chase for India’s most wanted terrorist. The lives of three of Mumbai Police’s best informers collide in this shady underworld. It’s a bad, bad world. A world of crime, sex, drugs, murder and betrayal. He who lies, lives to see the light of another day... a day replete with even greater risks. From shady underworld dealings to switching gang loyalties, the men graduate to selling information on terrorism. Then begins the chase… to catch India’s most wanted terrorist: Riyaz Bhatkal, the man with an ominous track record of masterminding twentytwo blasts across the country since 2005. The search takes them to the most unassuming yet dangerous terror hubs across India. With trust in short supply, time ticking away and the sword of Damocles over their heads, the men can only hope that they are not on a wild goose chase.
The vast Deccan plateau of south-central India stretches from the Arabian Sea to the Bay of Bengal. In the sixteenth and seventeenth centuries, the region was home to several major Muslim kingdoms and became a nexus of international trade — most notably in diamonds and textiles, through which the sultanates attained remarkable wealth. The opulent art of the Deccan courts, invigorated by cultural connections to the Middle East, Africa, and Europe, developed an otherworldly character distinct from that of the contemporary Mughal north: in painting, a poetic lyricism and audacious use of color; in the decorative arts, lively creations of inlaid metalware and painted and dyed textiles; and in ...