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Assyrians of Yonkers
"As early as the late 19th century, there was a small community of Assyrians in Yonkers, New York. By 1914 and 1915, many Assyrians fled Ottoman Turkey and Persia seeking refuge from genocide, and with the assistance of American Presbyterian missionaries, many found their way to bolstering a growing population in Yonkers. This community established its own churches, community associations, and businesses, becoming an essential part of the American mosaic while retaining its culture through religion, language, social gatherings, and traditional foods. Celebrating community life and their new home, Assyrian Americans of Yonkers continued to play an integral role in American society while educating themselves about the continuous plight of their brethren in the Middle East and passing on their heritage to future generations"--Amazon.com.
Assyrians of Eastern Massachusetts
The widespread persecution of the Christian Assyrians by neighboring populations in the Ottoman Empire led to their immigration to the United States. Beginning at the end of the 19th century, with an influx during the Great War, Assyrians settled mostly in eastern Massachusetts, finding an abundance of work along its ports and among its large factory base. Concerned with the welfare of their community, these immigrants established a multitude of cultural, social, and political institutions to help promote awareness of Assyria. The establishment of St. Mary's Assyrian Apostolic Church, the first of its kind outside of the Middle East, prompted the solidarity of Assyrians in Massachusetts and became a model for later settlements of Assyrians in the United States. Through family portraits and documents from both religious and secular institutions, Assyrians of Eastern Massachusetts addresses the adjustment of this community in the United States.
Assyrian American Association of Chicago: 100 Years
The Homeland -- The Association's Early Years -- The Development of the Organization -- The 100th-Anniversary Celebration.
Karimayi
The story of the archetypal Mother, the mother of all Chandrashekhar Kambar s stories, variously called Mayi, Idimayi, and now Karimayi, is at the heart of this novel. The narrative of Karimayi moves through an astounding time span, beginning from the mythopoeic times of Goddess Karimayi s birth to the historical and cultural shifts in the life of a small rural community called Shivapura during the British colonial era. Written in the Kannada language in 1975, Karimayi breaks the familiar narrative of an idyllic and traditional village community getting destroyed by the incursion of modernity. Instead, the multiple and layered narrative of Karimayi weaves everything into itself the story of the village s past, the myth of Karimayi, the disorder that sets in with the invasion of colonial modernity and the lure of the city, but, most importantly, also of the disruption of another form of native modernity that the village community has already begun to incorporate into its rhythms of life. "
Assyrians in Chicago
The pictorial history of Assyrian immigration to Chicago encompasses more than 100 years. Their first pioneers came to the United States in the late 1800s. Eventually, by the turn of the century, they began to reside in Chicago. Following several waves of persecution in their homeland, these indigenous people of Mesopotamia continued to migrate to America, and now the largest concentration of them reside in Chicago. Through the medium of historic photographs, this book captures the evolution of the Assyrian community of Chicago from the late 1800s to the present day. These pages bring to life the people, events, and industries that helped to shape and transform this vibrant ethnic community in Chicago. With more than 200 vintage images, Assyrians in Chicago includes photographs from the collection of the Assyrian Universal Alliance Foundation. This book depicts the many faces of the Assyrian American in various facets of American life interwoven with traditions from their homeland.
Ice
The year is 1973. An Egyptian historian, Dr. Shukri, pursues a year of non-degree graduate studies in Moscow, the presumed heart of the socialist utopia. Through his eyes, the reader receives a guided tour of the sordid stagnation of Brezhnev-era Soviet life: intra-Soviet ethnic tensions; Russian retirees unable to afford a tin of meat; a trio of drunks splitting a bottle of vodka on the sidewalk; a Kirgiz roommate who brings his Russian girlfriend to live in his four-person dormitory room; black-marketeering Arab embassy officials; liberated but insecure Russian women; and Arab students' debates about the geographically distant October 1973 War. Shukri records all this in the same numbly factual style familiar to fans of Sonallah Ibrahim's That Smell, punctuating it with the only redeeming sources of beauty available: classical music LPs, newly acquired Russian vocabulary, achingly beautiful women, and strong Georgian tea. Based on Ibrahim's own experience studying at the All-Russian Institute of Cinematography in Moscow from 1971 to 1973, Ice offers a powerful exploration of Arab confusion, Soviet dysfunction, and the fragility of leftist revolutionary ideals.
Passage to the Plaza
In Bab Al-Saha, a quarter of Nablus, Palestine, sits a house of ill repute. In it lives Nuzha, a young woman ostracized from and shamed by her community. When the Intifada breaks out, Nuzha's abode unexpectedly becomes a sanctuary for those in the quarter: Hussam, an injured resistance fighter; Samar, a university researcher exploring the impact of the Intifada on women's lives; and Sitt Zakia, the pious midwife. In the furnace of conflict at the heart of the 1987 Intifada, notions of freedom, love, respectability, nationhood, the rights of women, and Palestinian identity--both among the reluctant residents of the house and the inhabitants of the quarter at large--will be melted and re-forged. Vividly recounted through the eyes of its female protagonists, Passage to the Plaza is a groundbreaking story that shatters the myth of a uniform gendered experience of conflict.
Mr. K Released
Mirroring Romania's drastic transition from totalitarianism to Western-style freedom in the late 1980s, Mr. K Released captures the disturbingly surreal feeling that many newly liberated prisoners face when they leave captivity. Employing his trademark playful absurdity, Mat i Visniec introduces us to Mr. K, a Kafkaesque figure who has been imprisoned for years for an undisclosed crime in a penitentiary with mysterious tunnels. One day, Mr. K finds himself unexpectedly released. Unable to comprehend his sudden liberation, he becomes traumatized by the realities of freedom--more so than the familiar trauma of captivity or imprisonment. In the hope of obtaining some clarification, Mr. K keeps waiting for an appointment with the prison governor, however, their meeting is constantly being delayed. During this endless process of waiting, Mr. K gets caught up in a clinical exploration of his physical surroundings. He does not have the courage or indeed inclination to leave, but can move unrestricted within the prison compound, charting endless series of absurd circles in which readers might paradoxically recognize themselves.
Come, Take a Gentle Stab
Introduces renowned Kurdish-Syrian writer Salim Barkat to an English audience for the first time, with translated selections from his most acclaimed works of poetry. Although Salim Barakat is one of the most renowned and respected contemporary writers in Arabic letters, he remains virtually unknown in the English-speaking world. This first collection of his poetry in English, representing every stage of his career, remedies that startling omission. Come, Take a Gentle Stab features selections from his most acclaimed works of poetry, including excerpts from his book-length poems, rendered into an English that captures the exultation of language for which he is famous. A Kurdish-Syrian man, Ba...
Voices of Dissent
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