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Effective protection of the marine and terrestrial environment increasingly requires cooperation between neighbouring States, international organizations, government entities and communities within States. This book analyses key aspects of transboundary environmental law and policy and their implementation in Asia, Australasia and Australian offshore territories, and surrounding areas beyond national jurisdiction including Antarctica. It discusses the potential for implementing key transboundary environmental mechanisms such as the 1991 Convention on Environmental Impact Assessment in a Transboundary Context (Espoo Convention) and its 1997 Protocol on Strategic Environmental Assessment (Kiev Protocol) in Australia and Asia drawing on experience from other regions and the potential application of these agreements to all UN member states. The book makes an innovative contribution to research in the area of transboundary environmental governance particularly as it applies to Asia, Australasia and international areas, supplementing similar research which has predominantly focused on Europe and North America.
Simple stone gravestones, richly carved table tombs and glowing stained glass memorial windows: the quintessence of the English churchyard and its memorials has been beautifully captured by photographer Simon Marsden who presents the results of his recent tour of the country in this new book. The atmospheric illustrations are accompanied by a lively and informative text, as well as excerpts of prose and poetry.--From publisher description.
This highly topical book considers the important question of how best to protect the environment of the Third Pole – the area comprising the Hindu Kush Himalayas and Tibetan Plateau – using the tool of international law. Following detailed analysis of the weaknesses in the current legal protections according to comparative legal theory, Simon Marsden recommends three potential options for implementation by policy and lawmakers.
Russia: A World Apart is a haunting evocation of the ruined country estates of the Russian aristocracy of the 18th and 19th centuries. Revolution, civil war, invasion, anarchy and casual indifference have conspired against many of the grand buildings of Russia's rich and complex past. The architectural riches of Moscow and St Petersburg still exist for everyone to see, but when the photographer Simon Marsden and author Duncan McLaren entered the Russian countryside, away from the obvious tourist trails, they encountered a very different world. McLaren relates how "The further from Moscow and St Petersburg, the more desolate and derelict the landscape became. Endless pot-holed roads pass thro...
The UK Climate Change Act was the first case of a country implementing blanket legally binding long-term emissions reduction targets in order to combat climate change. This book provides the first accessible and in-depth analysis of the UK’s complex Climate Change Act framework, presenting the discussion in a clear and interdisciplinary manner designed to open the workings of the challenging framework to a broad audience. It discusses the political ‘story’ surrounding the framework, and its treatment in scholarly environmental literature; analyses the technical content of the Act; explores the framework’s international significance, and its internal ‘subnational’ dimensions and impact, engaging the UK’s devolved jurisdictions of Northern Ireland, Scotland, and Wales. This first, much-needed interdisciplinary treatment of the framework is both introductory and analytical in nature and will be of interest to scholars, practitioners and general readers of environmental studies, policy and governance.
In the face of the Nazi invasion of Poland in 1939, poet Zofia Ilinska (nee Bronski) and her mother, Helena Bronska, fled to England. For years they dreamed of going back to the Bronski house, which over time came to stand for everything they had lost. It was more than a half a century later that Ilinska returned to the village of her birth, asking Marsden to accompany her and entrusting to him Helena's diaries and letters. Best described as a non-fiction novel, the result is not only an account of the poet's quest for her origins but a portrait of the parallel lives of mother and daughter: coming of age, dramatic escapes, and love and loss. Annotation copyrighted by Book News, Inc., Portland, OR
Examines questions of allegiance and identity in a globalised world through the disciplines of law, politics, philosophy and psychology.
How do dominant views and arguments about environmental problems traverse and connect international and public law?
Readers of Emily Brontë's poetry and of Wuthering Heights have seen in their author, variously, a devout if somewhat unorthodox Christian, a heretic, or a visionary "mystic of the moors". Rather than seeking to resolve this matter, Emily Brontë and the Religious Imagination suggests that such conflicting readings are the product of tensions, conflicts and ambiguities within the texts themselves. Rejecting the idea that a single, coherent set of religious doctrines are to be found in Brontë's work, this book argues that Wuthering Heights and the poems dramatise individual experiences of faith in the context of a world in which such faith is always conflicted, always threatened. Brontë's work dramatises the experience of imaginative faith that is always contested by the presence of other voices, other worldviews. Her characters cling to visionary faith in the face of death and mortality, awaiting and anticipating a final vindication, an eschatological fulfilment that always lies in a future beyond the scope of the text.
Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Jonathan Greenaway offers the beginnings of a modern theology of the Gothic.