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Portraying Pregnancy
Published to accompany the exhibition held at the Foundling Museum, 24 January - 26 April 2020.
Condition
The paintings we see today in museums, galleries, churches and temples are often much altered by the centuries. Pictures can split, rot, be eaten by woodworm, warp, blister, crack, cup, flake, darken, blanch, discolor, become too translucent and disappear under a centuries-old varnish; and they can also suffer from the efforts of their owners to rectify these situations: they might be transferred, relined, ironed, abraded or repainted. Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This act of understanding is far from easy. We need to develop a knowledge of the physical and chemical processes which have brought paintings ...
Living with Architecture as Art
This stunning two-volume publication introduces readers to one of the largest private collections of architectural drawings in the world. Showcasing drawings and related models and artefacts dating from 1691 to the mid 20th century, this lavish tome includes both a catalogue and new texts by leading authorities and provides a fascinating look at these often very beautiful by-products of architectural training and practice. One of the largest private collections of architectural drawings in the world has been assembled over 30 years by investor and philanthropist Peter May. Comprising more than 600 sheets that have all been carefully preserved and handsomely framed, the drawings and related m...
Keeping in the Present
In 2020, the Dresden Kupferstich-Kabinett celebrates its 300th anniversary. Founded in 1720 by Augustus the Strong as a museum specializing in works on paper, the collection now with over half a million works, from the Middle Ages to the present day has always acquired contemporary art alongside recognised masterpieces. The collection which includes exceptional works by Jan van Eyck, Dürer, Verrocchio, Grünewald, Cranach, Holbein, Rembrandt, Caspar David Friedrich, Ludwig Richter, Toulouse Lautrec, Mondrian, Hermann Glöckner, Gerhard Altenbourg, A.R. Penck, Georg Baselitz and Evelyn Richter began in the 18th century with drawings, miniatures and prints, before photography was added in 1898 as the promising future means of reproduction. Exhibition: Kupferstich-Kabinett, Dresden, Germany (24.04.-14.09.2020) / The Morgan Library & Museum, New York, USA (10.2020).
Of Modernism
A fascinating cross-section of current research in modernist art history, at the cutting edge of contemporary scholarship, with essays by pupils of the renowned scholar Professor Christopher Green.
Divine People
Ambrose McEvoy was one of the most modern and daring English society portrait painters of the early 20th century. His quick, confident style of painting drew the attention of many leading society figures, from Winston Churchill to Lady Diana Cooper, and in particular subjects who craved something beyond a simple "likeness" in paint. Despite his success, when McEvoy died unexpectedly at the peak of his career in 1927, his name was soon forgotten. 'Divine People' is the first major written study of McEvoy's life and work and aims to firmly place this long-neglected artist back into the canon of 20th-century British art. Many of McEvoy's friends and contemporaries including Augustus and Gwen Jo...
Towards the Sun
While there have been monographs on British artist-travellers in the eighteenth and early nineteenth centuries, there has been no equivalent survey of what the writer, Henry Blackburn, described as ?artistic travel? a hundred years later. By 1900, the ?Grand Tourist? became a ?globe-trotter? equipped with a camera, and despite the development of ?knapsack photography?, visual recording by the old media of oil and watercolour on-the-spot sketching remained ever-popular.00Kenneth McConkey?s new book explores the complex reasons for this in a series of chapters that take the reader from southern Europe to north Africa, the Middle East, India and Japan revealing many artist-travellers whose live...
Masters & Pupils
"[This book] traces the 'apostolic succession' from Perugino in the fifteenth century to Edouard Manet in the nineteenth, as each painter passed on his knowledge to the next generation." -- Jacket description.
Titian: Sources and Documents
This ambitious work collects all known documents related to the painter Titian dating from his era. Titian was one of the most famous, successful, and long-lived of the Renaissance painters. Much of his output was for rulers or institutions whose archives have been largely preserved, and many of his family papers have also survived. Titian: Sources and Documents includes all known documents relating to Titian and his work dating from his lifetime, along with all known references to Titian in contemporaneous publications. The relevant section of each text is transcribed in full, preceded by a short summary in English, with extensive annotation and, where necessary, a commentary. The collection also includes all biographical material published before 1700 and all other texts that could realistically be thought to reflect first- or second-hand anecdotal information about him. The particular strengths and limitations of the principal early printed sources and the circumstances in which they were produced are discussed in a substantial introduction, which also includes an overview of the main archival collections consulted in the preparation of the book.
