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Dragana
Belum lama perang antara Irion melawan Hashin selesai. Presiden Irion-Frans Sullivan tewas terbunuh dengan mengenaskan bersama keluarga dan para pelindungnya di istananya sendiri. Terdapat satu bukti autentik yang ditemukan di dekat jasad sang presiden, yakni pecahan pedang yang digunakan oleh setiap anggota pasukan khusus negara Hashin: Bayangan Girima. Hal ini kembali menyulut perang besar antara kedua negara tersebut. Di luar kehendaknya, Arthur Alfrega ditunjuk sebagai pemimpin pasukan Isvar dari Irion untuk berperang kembali melawan Hashin. Namun misteri-misteri makin terkuak. Bahkan masalah perebutan pulau Dragana yang merupakan awal terjadinya perang ini ternyata lebih rumit dari yang semua orang kira.
Motrišta
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Danas
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Haški tribunal VII
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Vreme
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Caraval
Scarlett has never left the tiny island where she and her beloved sister, Tella, live with their powerful, and cruel, father. Now Scarlett's father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval, the far-away, once-a-year performance where the audience participates in the show, are over.But this year, Scarlett's long-dreamt of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval's mastermind organizer, Legend. It turns out that this season's Caraval revolves around Tella, and whoever finds her first is the winner.Scarlett has been told that everything that happens during Caraval is only an elaborate performance. But she nevertheless becomes enmeshed in a game of love, heartbreak, and magic with the other players in the game. And whether Caraval is real or not, she must find Tella before the five nights of the game are over, a dangerous domino effect of consequences is set off, and her sister disappears forever.Welcome, welcome to Caraval . . . beware of getting swept too far away.
Blueprint
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On the Very Edge
Revealing a vibrant and intertwined artistic scene in the Balkans On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918–1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged ‘on the very edge’ between territorial and cultural, new and old, modern and traditional identities. With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in plu...
