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English Drama
  • Language: en
  • Pages: 168

English Drama

  • Type: Book
  • -
  • Published: 1896
  • -
  • Publisher: Unknown

None

The British Drama; Comprehending the Best Plays in the English Language
  • Language: en
  • Pages: 624

The British Drama; Comprehending the Best Plays in the English Language

  • Type: Book
  • -
  • Published: 1804
  • -
  • Publisher: Unknown

None

English Drama Since 1940
  • Language: en
  • Pages: 270

English Drama Since 1940

An introductory guide to the themes, styles, concerns and contexts of English drama from 1940 to the plays of the late 1990s.

British Drama
  • Language: en
  • Pages: 624

British Drama

  • Type: Book
  • -
  • Published: 1804
  • -
  • Publisher: Unknown

None

English Drama: Forms and Development
  • Language: en
  • Pages: 278

English Drama: Forms and Development

Ten original essays on English drama from Tudor times onwards examines different aspects on the development of this art form.

English Drama
  • Language: en
  • Pages: 204

English Drama

A selective history of drama in Britain. "Designed as a survey...in which today has been kept constantly in mind while recording yesterday's dramatic activities."--Preface.

A Brief View of the English Drama
  • Language: en
  • Pages: 172

A Brief View of the English Drama

  • Type: Book
  • -
  • Published: 1840
  • -
  • Publisher: Unknown

None

British Drama
  • Language: en
  • Pages: 392

British Drama

  • Type: Book
  • -
  • Published: 1969
  • -
  • Publisher: Unknown

None

The New English Drama
  • Language: en
  • Pages: 272

The New English Drama

  • Type: Book
  • -
  • Published: 1824
  • -
  • Publisher: Unknown

None

Medieval English Drama
  • Language: en
  • Pages: 189

Medieval English Drama

Medieval English Drama provides a fresh introduction to the dramatic and festive practices of England in the late Middle Ages. The book places particular emphasis on the importance of the performance contexts of these events, bringing to life a period before permanent theatre buildings when performances took place in a wide variety of locations and had to fight to attract and maintain the attention of an audience. Showing the interplay between dramatic and everyday life, the book covers performances in convents, churches, parishes, street processions and parades, and in particular distinguishes between modes of outdoor and indoor performance. Katie Normington aids the reader to a fuller understanding of these early English dramatic practices by explaining the significance of the place of performance, the particularities of spectatorship for each event and how the conventions of the form of drama were manipulated to address its reception. Audiences considered range from cloistered members, congregations and parish members to urban citizens, nobles and royalty. Undergraduate students of literature of this period will find this an approachable and illuminating guide.