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Seventeen-year-old Charlotte Barclay has to face her fears in order to save her mom from the fairies that kidnapped her.
Metaphysical Balm is a collection of poetry that utilises the lyrical subject, “Owl”, who is transmuted and transfigured through various guises, rituals, visions, histories, myths and physical and spiritual bodies, becoming a symbol for wisdom, inquisitiveness, religious longing, introspection, transfiguration and femininity. The collection is a journey of spiritual fulfillment and physical healing from birth to adulthood, from death to the spiritual unknown.
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In this serious, often playful, sometimes outrageous volume, Murray draws inspiration from contemporary women’s experimental poetics. The collection recognises female writers’ equivocal relation to forms of the linguistic avant-garde such as L=A=N=G=U=A=G=E poetry, and brings embodiment and affective voicing back into the provocative equation. Yet, this is not a simple return to lyric intimacy. Murray inflects poetry’s familiar inner speech with the sounds and shapes of found materials and engaging cultural noise. In Otherwise Occupied, the seamlessness of the beautiful, expressive poem becomes otherwise under the innovative necessity of the page as an open field of multiple (mis)takes and (mis)givings. Here, a poem is a space of enactment, a process of thinking-writing and performative exploration: idea ↔ body, lyric ↔ language, innovative necessity ↔ enduring convention. And in the end: there is no subject outside language.
"In poetry and prose, Ann Slayton takes on wide-ranging themes in an array of voices. Among them, the historical Anne Bradstreet (1612-1672), "We Have from the First Been Singers"; Hester Prynne's young daughter, "The Spell"; Henry Moore's great sculpture itself, "Reclining Figure at Lincoln Center" - The tone of these poems is characterized by a metaphorical richness and cadenced rhythms as they move between deep meditation and comic satire in works such as "Nothing Is Happening Again," "Partly Mozart, Mostly Turkey Club," and "Everyone Was a Real One but Gertrude.""--
In Transcontinental Delay, Simon Van Schalkwyk tracks experiences of imminent arrival and departure, periods of waiting and suspension between destinations, points where the demands of place dissolve into the more anticipatory potentialities of space. Drawing on geographical lexicons familiar to South African localities such as Cape Town and Johannesburg, the collection also captures fleeting encounters with global spaces as far afield as the United Kingdom, Argentina and Sweden. Considering the world from a position of "transcendental homelessness" rather than more conventional expressions of estrangement, alienation, or exile, the poems collected in Transcontinental Delay are attentive to a fundamental sense of unbelonging, registering the moods, tones and attitudes of the visitor and stranger: figures of restlessness and, at times, obscurity, at odds with both the settlements of "home" and the transitory compulsions of travel.
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This powerful and moving historical novel is inspired by the written recollections and the memories that haunted the author's father, Nicias Aridjis,--a captain in the Greek army, who returned from the fields of battle to Smyrna, 50 miles southeast of his hometown of Tire, in 1922 just as Turkish forces captured this cosmopolitan port city. Smyrna in Flames , by the internationally acclaimed Mexican writer and poet Homero Aridjis, lays bare the unimaginable events and horrors that took place for nine days between September 13 and 22--known as the Smyrna Catastrophe. After capturing Smyrna, Turkish forces went on a rampage, torturing and massacring tens of thousands of Greeks and Armenians an...
Characterized by the superb draughtmanship of its patterns and prickings, this book is the result of three years' study and research and brings together 101 of the best and most beautiful torchon lace patterns. After an explanation of the colour-diagram method, which eliminates lengthy technical descriptions, the projects are presented on facing double pages, each spread showing an overall pattern diagram, pattern detail and one or more close-up photographs for each piece. Included is a selection of patterns for working edgings, insertions, corners, bookmarks and medallions, aimed at a wide range of readership from beginners to experienced lacemakers.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.