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Race and the Revolutionary Impulse in The Spook Who Sat by the Door
Ivan Dixon's 1973 film, The Spook Who Sat by the Door, captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American Black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and the original screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.
The Spying Moon
The unexplained disappearance of her mother left her an orphan so Kendall Moreau became a police officer and pursued a posting in the town where her mother went missing. She is on her way to her first posting when she gets reassigned to a task force in Maple River, hundreds of miles from where her mother vanished. Moreau doesn’t want to be in Maple River. Most of her team doesn’t want her there, either. She’s partnered with Nate Duncan, whose role on the task force raises suspicions amongst the team because of his family’s criminal connections, adding to Moreau’s sense of isolation. They are assigned to investigate the death of Sammy Petersen but Duncan’s personal connection to t...
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Oblivion Song by Kirkman & De Felici #13
In the wake of the world's SECOND transference event everything is different now.
