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Rich colours and arresting designs capture the mood of celebration and joy that characterizes this photographic record of contemporary religious works of art. Chosen for their excellence in design and stitchery, these works represent the achievements of artists who have created art, in fabric, for places of worship. This book celebrates this important artistic expression, a significant part of our heritage. Pieces are selected from communities across Canada: from a small parish on a Micmac reserve in Nova Scotia to a large urban synagogue in Vancouver; from the igloo-shaped cathedral in Iqaluit to a suburban church nestled beside a wildlife march in southwestern Ontario.
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George A Walker did not make it into "An Engraver's Globe," and looking through this collection of his wood engravings I see again exactly why. An editor should not present as a fool one who has persisted in his folly to become wise if the wisdom cannot really be shown in the space available: better to omit than risk making him look silly. On the evidence of just a couple of works George Walker does look clumsy in a field where finesse is prized, perhaps to excess. But give him his head, as here, and you see an artist of sustained and wacky integrity half way between Posada and Krazy Kat. ... Is the work any good? Yes, of course it is. Of course, too, if you go for rough trade in wood engrav...
Whether you hike, bike, ride the rails, or drive, the shore of Lake Ontario can yield a treasure trove of heritage sites and natural beauty – if you know where to look. Travel with Ron Brown as he probes the shoreline of the Canadian side of Lake Ontario to discover its hidden heritage. Explore "ghost ports," forgotten coves, historical lighthouses, rumrunning lore, and even the location of a top-secret spy camp. The area also contains some unusual natural features, including a mysterious mountain-top lake, sand dunes, and the rare albars of Prince Edward County. From small communities to the megacity of Toronto, history lives on in the buildings, bridges, canals, rail lines, and homes that have survived, and in the stories, both well-known and long-forgotten, of the people and places no longer here. In From Queenston to Kingston, Ron Brown provides today’s explorer’s with a window into Ontario’s not so distant past and shares a hope that, in future, progress and historical preservation go hand in hand.
Collectively, the narratives highlight the importance of recognizing personal experience in settings of higher education. They also present compelling evidence for acknowledging the significance of inquiry, creativity, imagination, dialogue, interaction, and integration in enabling learners to bring the whole of their being to the learning process, to the exploration of the stories by which they live, and to the creation of new narratives for their future lives.
Impulse Archaeology honours this important period in Canadian art and cultural history, recalling the early influence of like-minded publications from New York and the import of French theorists and European artists and writers into North America.
Beginning with 1953, entries for Motion pictures and filmstrips, Music and phonorecords form separate parts of the Library of Congress catalogue. Entries for Maps and atlases were issued separately 1953-1955.