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Explorer Jules-Sébastien-César Dumont d'Urville (1790–1842) is sometimes called France's Captain Cook. Born less than a year after the beginning of the French Revolution, he lived through turbulent times. He was an erudite polymath: a maritime explorer fascinated by botany, entomology, ethnography and the diverse languages of the world. As a young ensign he was decorated for his pivotal part in France's acquisition of the famous Vénus de Milo. D'Urville's voyages and writings meshed with an emergent French colonial impulse in the Pacific. In this magnificent biography Edward Duyker reveals that D'Urville had secret orders to search for the site for a potential French penal colony in Aus...
"Volume One, Te Tangata me te Whenua - the people and the land, encompasses myths and legends of the region, the succession of tribes who have inhabited Te Tau Ihu o te Waka and their interactions, early encounters with Europeans, the arrival of the New Zealand Company, the Treaty of Waitangi, land transactions, and the administration of Maori Resserves." - p. 16.
SHRUNK is a collection of true cases by eminent Canadian and international forensic psychologists and psychiatrists facing the tough topic of mental illness in the criminal justice system.
The Big Secret Book is an invaluable guide on the subject of creativity, no matter the preferred artistic discipline. Written by Denise Clarke, director of One Yellow Rabbit Summer Lab Intensive, the book outlines methods and methodologies of the Lab that have inspired writers, dancers, musicians, as well as performance theatre artists. Sidebar case studies of Denise Clarke's remarkable performances disclose the big secrets behind her unique and brilliant style of performance creation.
Florence Kinrade, dutiful daughter of a wealthy, upper-crust Canadian family in 1909, lives a secret double life as a vaudeville showgirl in Richmond, Virginia. Then sister Ethel shows up dead, with Florence being, apparently, the only one at the scene at the time. Next up, a coroner's inquest, a mental diagnosis, more vaudeville show business, and a good hard investigative look by investigative journalist, Frank Jones.
In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to let Canadians see through the eyes of Indigenous people. Chief Laforme's universal message is, "We should not have to change to fit into society the world should adapt to embrace our uniqueness."
Generative Art: Algorithms as Artistic Tool presents both simple programming concepts and generative art principles in the same book. Generative Art, a relatively new form of art, is the art of the algorithm where an artist must carefully design the nature of the work and then implement it as a computer program. This book presents a set of novel approaches to this subject. Existing books on this subject confront the topic through the lens of programming. This book does that, but also presents approaches to creating art using art and design best practices. Content is arranged according to the problem that is to be solved. Readers will have access to code used in the book through the book's web site and video tutorials are also available for each chapter.
Lillian & Kokomis is the second book in the UpRoute Indigenous Spirit of Nature Series. Lillian is a girl of mixed Indigenous and white ancestry who has been shuffled from foster home to foster home as long as she can remember. At school, she doesn't feel like she fits in with the white kids and doesn't fit in with the Indigenous kids either. She finds happiness and a sense of belonging from a surprising spirit that returns her to traditional ways.
Together they shared their own struggles, their different cultures and lack of English language; a process that awakened Angelina to her own inner strengths. Angelina and Vincenzo finally left D'Urville Island in 1946, and both died within a few months of each other in Wellington in 1954.
Tongan art, with its elegant sculpture, headrests, body adornment, clubs, containers, tools and fibre work, has made an outstanding contribution to the culture of Oceania. In The Art of Tonga, Keith St. Cartmail's achievement is to draw together all the strands of this island kingdom's material culture into a single volume--surprisingly no other work has done this to date. The author begins by outlining the history of Tonga, then comprehensively details all aspects of Tongan art, ancient and modern. He clearly documents the significance and widespread influence of this beautiful art work through West Polynesia, and argues that despite recent neglect, and in spite of being mutilated and destroyed by missionaries, and dispersed by collectors to all corners of the earth, Tongan art is nonetheless alive and well. Authoritative and accessible, The Art of Tonga is lavishly illustrated with superb and important examples of Tongan art from throughout its history. It is essential reading for anyone with an interest in the magnificent cultures of Oceania.